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 Z - Zc
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 ZEIDENFELT, ALEX
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ZEIGER, HENRY A.
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 Irish and Indians
(November 1969)
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On Stage IRISH AND INDIANS BY HENRY A. ZEIGER A A. JLctors are the lifeblood of the theater. We occasionally see an "interesting" new play or a revered masterpiece, but the memorable...
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MERCHANTS ON DREAM STREET
(November 1969)
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On Stage MERCHANTS ON DREAM STREET BY HENRY A. ZEIGER JL^Froadway is a street of dreams where we settle all too readily for just entertainment, and rarely get even that. There are few experiences...
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The Cultural Con Game
(September 1969)
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ON STAGE By Henry A. Zeiger The Cultural Con Game While Republicans in Washington and patrons deflated by the current stock market are less generously inclined toward the arts than in the palmy...
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Passions Pretended and Preserved
(July 1969)
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ON STAGE By Henry A. Zeige The presentation of Oh! Calcutta! at the Eden Theater has placed the seal of chic approval upon the explicit theatrical documentation of certain matters our ancestors...
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Black Theater
(May 1969)
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ON STAGE By Henry A. Zeiger Black Theater If the present theater season possesses any single trend worth celebrating, it is the strong current of plays by and or about black Americans. I have...
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The opera as Theater
(April 1969)
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ON STAGE By Henry A. Zeiger The Opera as Theater While fond of music, I am not often found in the opera house. Perhaps my first experience there has something to do with it. In my mind's eye, I...
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Facing the Darkness
(April 1969)
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ON STAGE By Henry A. Zeiger Facing the Darkness Plays are written for any number of reasons — to make money, to gratify an author's ego, to entertain an audience, to give actors an opportunity to...
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1776 and All That
(March 1969)
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ON STAGE By Henry A. Zeiger 1776 and All That As some of you may remember, my last lecture was on history and the theater. Well, lo and behold, we now have a musical, 1776, designed to prove that...
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Lincoln Center's Oppenheimer
(March 1969)
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ON STAGE By Henry A. Zeiger Lincoln Center's Oppenheimer It seemed an innovation when writers such as Rolf Hochhuth and Peter Weiss put recent history on the stage. Actually, the practice is...
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On Stage
(February 1969)
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ON STAGE By Henry A. Zeiger Feiffer's Little Apocalypse The dramatic hero cannot be simply an individual; he must have contained within him hints of scores of other men, for he somehow represents...
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On Stage
(February 1969)
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ON STAGE By Henry A. Zeiger Instant Art Aformula for instant art: Take one author, not too well known, but having a certain remote literary standing, mix together some of his bons mots in a...
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On Stage
(January 1969)
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ON STAGE By Henry A. Zeiger Producing the Unproducible The plays of Bertolt Brecht have not been well received in New York. Although he is a writer of great talent, what we have seen of him has...
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On Stage
(December 1968)
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ONSTAGE By Henry A. Zeiger The Vital Ingredient Big Time Buck White, at the Village South Theater, is neither a compelling comment on race relations nor a beautifully wrought work of dramatic...
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On Stage
(December 1968)
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ON STAGE By Henry A. Zeiger Sensitivity and New York Actors When three poachers gamboled out on to the stage of Lincoln Center's Vivian Beaumont Theater and one of them paused to address a few...
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On Stage
(November 1968)
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ON STAGE Part pageant, part Tom-show, The Great White Hope is the toast of liberal old New York. Its leading actor has had his picture on the cover of Newsweek, which proclaimed him a "very big...
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Casual Notations
(August 1968)
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Casual Notations ONWARDS! By Nat Hentoff Simon and Schuster 141 pp. $3.95. Reviewed by HENRY A. ZEIGER Contributor, "Harper's," New York "Times Book Review" Nat Hentoff, polemicist for the now...
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