LetterA
LetterB
LetterC
LetterD
LetterE
LetterF
LetterG
LetterH
LetterI
LetterJ
LetterK
LetterL
LetterM
LetterN
LetterO
LetterP
LetterQ
LetterR
RangeR - Rc
AuthorRA'ANAN, URI
AuthorRAAB, SELWYN
AuthorRABINOVICH, ABRAHAM
AuthorRABINOVITCH, ABRAHAM
AuthorRABINOWITCH, EUGENE
AuthorRabkin, E.
AuthorRadicati, Giovanni
AuthorRadista, Bogdan
AuthorRADITSA, BOGDAN
AuthorRADITSA, L. FERRERO
AuthorRADLEY, PHILIPPE
AuthorRAEFF, MARC
AuthorRagansberg, S.
AuthorRaizman, Marc
AuthorRAMAN, N. PATTABHI
AuthorRAMET, PEDRO
AuthorRAMIREZ, ANTONIO
AuthorRamon, Louis
AuthorRAMONA, SISTER MARY
AuthorRANDOLPH, A. PHILIP
AuthorRandolph, Philip
AuthorRANSER, RICHARD
AuthorRanter, Joseph
AuthorRAO, C. R. M.
AuthorRAPHAEL, ADAM
AuthorRappaport, Samuel
AuthorRAPPING, LEONARD A .
AuthorRAPPING, LEONARD A.
AuthorRASKIN, A . H .
AuthorRASKIN, A. H.
AuthorRASKIN, A.H.
AuthorRASMINSKY, JUDITH SKLAR
AuthorRASMUSSEN, PROF. W.
AuthorRations, Federal
AuthorRATNAL, ANDRE
AuthorRATTI, JOHN
AuthorRAU, SANTHA RAMA
AuthorRAUH, JOSEPH L. Jr.
AuthorRaushenbush, H. S.
AuthorRAUSHENBUSH, STEPHEN
AuthorRAVITCH 7, DIANE
AuthorRAVITCH, DIANE
AuthorRAY, HEMEN
AuthorRAY, SIBNARAYAN
AuthorRAYNAL, ANDRE
AuthorRAYNOR, VIVIEN
Paid articleBringing out the Animal (January 1978)
On Art BRINGING OUT THE ANIMAL by vivien raynor The International Center of Photography is currently (through January 22) occupied by The End of the Game, an exhibition of African wildlife...
Paid articleSearching for Jasper Johns (December 1977)
On Art SEARCHING FOR JASPER JOHNS BY VIVIEN RAYNOR The first chapter of Michael Crichton's Jasper Johns (Abrams, 276 pp., $28.50) ends with this composite portrait of the artist: "The contrasts...
Paid articleCezanne's Legacies (November 1977)
On Art CEZANNE'S LEGACIES BY VIVIEN RAYNOR Like commercials, where the product is never merely itself, museum shows these days are much more than the sum of the objects displayed. The trend in...
Paid articleNegative Reactions (October 1977)
On Art NEGATIVE REACTIONS BY VIVIEN RAYNOR The theme this month is disapproval Under review are two small but significant shows—Signac Paintings, Watercolors, Drawings and Prints (Metropolitan...
Paid articleShooting the Wedding (September 1977)
SHOOTING THE WEDDING BY VIVIEN RAYNOR LITTLE more than a century old, wedding photography is already on the way out as a specialized occupation A victim of professional disregard and the hazards...
Paid articleThe Dealer as Superstar (August 1977)
On Art THE DEALER AS SUPERSTAR BY VIVIEN RAYNOR Kurt Valentin and now Ambroise Vollard: In the art world, the dealer seems to be assuming the same degree of importance given to movie directors by...
Paid articleDiebenkorn's Shifting Styles (July 1977)
On Art DIEBENKORN'S SHIFTING STYLES BY VIVEN RAYNOR At last, a major Richard Diebenkorn retrospective has been mounted. Funded by the National Endowment for the Arts, the show originated in...
Paid articleBringing Back The Portrait (June 1977)
On Art BRINGING BACK THE PORTRAIT by VIVIEN RAYNOR o nce the exclusive domain of potters, ceramics has come a long way in the hands of sculptor Robert Arneson. But novelty of medium is the least...
Paid articleThe Rise of Russian Realism (May 1977)
On Art THE RISE OF RUSSIAN REALISM BY VIVIEN RAYNOR T JL. ouring the world a few years back, the Mona Lisa turned out to be as big a smash in Eastern countries as in the West. Although that may...
Paid articleOn Art (April 1977)
On Art HUMANE PHOTOGRAPHY BY VIVIEN RAYNOR Although America & Lewis Hine is influenced to some extent by the work of Jacob Riis, the exhibition at the Brooklyn Museum, (through May 15) is no fix...
Paid articleOn Art (March 1977)
On Art DEGAS' ESTHETIC OF INTELLIGENCE BY VIVIEN RAYNOR It takes several minutes to adjust to the fact that Degas at the Metropolitan (through September 4), is surprisingly free of either...
Paid articleSuffering on Canvas (February 1977)
On Art SUFFERING ON CANVAS BY VIVIEN RAYNOR James Ensor was born in Ostend, Belgium, in 1860 and died there in 1949. Except for three years of study in Brussels and a few brief trips abroad, the...
Paid articleWyeth's Home-Grown Surrealism (January 1977)
On Art WYETH'S HOME-GROWN SURREALISM by VIVIEN RAYNOR At age 60, Andrew Wyeth is being transformed into a "misunderstood genius." Not content with merely displaying his unique brand of Americana...
Paid articleOn Art (December 1976)
On Art MODERNISM IN A MAJOR KEY Alexander Calder died on November 11, not quite a month after the gala opening of the retrospective of his work at the Whitney Museum. As reported in the New York...
Paid articleOn Art (October 1976)
On Art THEORYVS PERCEPTION BY VIVIEN RAYNOR Because it was still a gleam in art's eye 200 years ago, modernism's custodians face special problems in marking the Bicentennial. The Museum of Modern...
Paid articleOn Art (September 1976)
On Art THE VALUE OF TRANQUILITY BY VIVIEN RAYNOR comic but certainly not trivial detail of the '60s was the effect of the jugendstil on the not-sojung. Much as tousled female...
Paid articleOn Art (July 1976)
On Art PONDERING THE POSTER BY VIVIEN RAYNOR The poster originated as a simple device for announcing news -of an event, a commodity or an idea. Above all it explained itself on sight, using words...
Paid articleOn Art (May 1976)
On Art AMERCA'S CONTRARY SCULPTURE BY VIVIEN RAYNOR American sculpture are currently (through September 26) occupying the Whitney Museum like a Bicentennial army. The museum chose this medium to...
Paid articleOn Art (March 1976)
On Art THE EROSION OF DRAWING BY VIVIEN RAYNOR The principle that drawing is the premise on which all the visual arts rest has been badly eroded, in a process accelerated by the invention of...
Paid articleOn Art (February 1976)
On Art COLLECTING AS A CONCEPT BY VIVIEN RAYNOR What is the function of New York City's Metropolitan Museum of Art? The museum itself raises and more or less answers this question with its show...
Paid articleOn Art (January 1976)
On Art OPERATING ON INSTINCT BY VIVIEN RAYNOR The critic inevitably confronts art on two levels. An exhibit viewed casually is perceived differently from one looked at for review. With no...
Paid articleOn Art (December 1975)
On Art MODERNISM'S NAYSAYER BY VIVIEN RAYNOR art, as in other enterprises, there is currently a strong sense of futility, a feeling of vast battles won to no avail. For modernism, its ambitions...
Paid articleOn Art (October 1975)
On Art THE SOVIETS' MEDIA EVENT BY VIVIEN RAYNOR Though billed as an "unprecedented" loan from the Soviet Union, the exhibition of European and Russian paintings at New York's Knoedler & Co....
Paid articleDEGAS IN BLACK AND WHITE (September 1975)
On Art DEGAS IN BLACK AND WHITE BY VIVIEN RAYNOR Degas: The Complete Etchings, Lithographs and Monotypes (Viking, 272 pp., $32.50) is the first such collection of the artist's graphic work in...
Paid articleAcademic Overreaching At The Met (August 1975)
On Art ACADEMIC OVERREACHING AT THE MET BY VIVIEN RAYNOR Continuing its relatively new policy of presenting massive didactic exhibitions, the Metropolitan Museum is currently host (through...
Paid articleWITHOUT TRADITION OR CLOTHES (July 1975)
On Art WITHOUT TRADITION OR CLOTHES BY VIVIEN RAYNOR Three Centuries of the American Nude" (New York Cultural Center, through July 13) comprises 168 works, 111 of them paintings and the rest...
Paid articleDoom Without Compassion (April 1975)
On Art DOOM WITHOUT COMPASSION BY VIVIEN RAYNOR ALMOST as soon as Francis Bacon's canvases became known in England during the '50s, the man became a legend. Such was the impact made by his...
Paid articlethe Reactionary Rebel (March 1975)
On Art THE REACTIONARY REBEL by vivien raynor Born in 1891 in the Rhine-land, Max Ernst was the second child of seven and by his own account a sensitive and rather opportunistic youngster. At...
Paid articlePHOTOGRAPHS COLD AND WARM (March 1975)
On Art PHOTOGRAPHS COLD AND WARM BY VIVIEN RAYNOR 260-odd prints by Edward Weston in the exhibition at the Museum of Modern Art (through March 30, and then to Houston, Detroit, Des Moines,...
Paid articleFalse Impressions (February 1975)
On Art FALSE IMPRESSIONS by vivien raynor What is it that distinguishes honesty from knavery but the hard and wiry line of rectitude?" proclaimed William Blake with—considering his own style of...
Paid articleINNER VISIONS (January 1975)
On Art INNER VISIONS BY VIVIEN RAYNOR The Whitney is currently (through January 5) devoting one of its retrospective-memorandums to Richard Pousette Dart. Some 31 canvases, including two murals...
Paid articleA Curator's Morality Tale (November 1974)
On Art A CURATOR'S MORALITY TALE BY VIVIEN RAYNOR NINETEENTH-century art gets its wrist slapped in "The Painters' America," a show that, after closing at the Whitney November 10, will travel to...
Paid articleA POET OF PLACES (September 1974)
On Art A POET OF PLACES BY VIVIEN REYNOR Earlier this year the Whitney Museum opened a new branch at 55 Water Street in lower Manhattan. Presumably part of the financial community's attempt to...
Paid articleOn Art (July 1974)
On Art ETHNICS ETHICS AND ESTHETICS BY VIVIEN RAYNOR Summer browsers at the Museum of Modem Art should not miss "Photographs from the Harvard Ethics Collection" (through September 2). Hardly a...
Paid articleA Family Affair (June 1974)
On Art A FAMILY AFFAIR BY VIVIEN RAYNOR A A little over a year ago. the Guggenheim Museum introduced the work of the Swiss painter Ferdinand Hodler (1853-1918), who, though venerated in his own...
Paid articleThe Game of the Name (May 1974)
On Art THE GAME OF THE NAME BY VIVIEN RAYNOR It could once be said of New York City's subway system that its grim appearance was at least suited to the task of hauling the huddled masses. But...
Paid articleGRAND COLLECTORS (April 1974)
On Art GRAND COLLECTORS BY VIVIEN RAYNOR A Am ssessing a private collection is usually a disconcerting experience, for one can never be sure whether it is the works we are being asked to admire,...
Paid articleReturning to the Real (March 1974)
On Art RETURNING TO THE REAL BY VIVIEN RAYNOR There is something quite biblical about the story of modern art. It is, essentially, an account of flagging patriarchal powers, with the enfeebled...
Paid articleFlotsam and then Some (February 1974)
On Art FLOTSAM AND THEN SOME BY VIVIEN RAYNOR During a conversation with associates about the melancholy duty of reviewing Marcel Duchamp (Museum of Modern Art, through February 24), I was...
Paid articleOn Art (January 1974)
On Art CLOTHES MAKE THE MET BY VIVIEN RAYNOR ONLY WHEN clothes are old do they show up in the enclaves of art, and then usually to demonstrate a nostalgic, histonca] or anthropological point, or...
Paid articleOn Art (December 1973)
On Art CONSTANCY IN CHANGE BY VIVIEN RAYNOR AMERICANS of Russian extraction have been so visible in the arts that it sometimes seems as though every Russian immigrant to this country has either...
Paid articleThe Oldest Obsession (November 1973)
On Art THE OLDEST OBSESSION BY VIVIEN RAYNOR The old maxim that man comes out of the womb only to spend his life trying to get back in is abundantly illustrated by the work of Gaston Lachaise His...
Paid articleCatching Up with the Trends (October 1973)
On Art CATCHING UP WITH THE TRENDS BY VIVIEN RAYNOR Three prominent contemporaries are having simultaneous retrospectives this month (to November 4). Now at mid-career?they are all in their early...
Paid articleTHE RUGGED AMERICAN (October 1973)
On Art THE RUGGED AMERICAN By Vivien Raynor photography critics have begun to voice doubts about the medium's efficacy as an instrument of social reform-and not a moment too soon either. This may...
Paid articleMonuments and Mockeries (September 1973)
On art MONUMENTS aND MOCKERIES by vivien raynor There are many small pleasures to be derived from the exhibitions of lesser-known artists that abound during the off-season. a case in point is...
Paid articlePhotos from the Past (July 1973)
On Art PHOTOS FROM THE PAST BY VIVIEN RAYNOR At a dinner party given by a nouveau English millionairess, the actress Francoise Rosay was treated to a lengthy blast of Francophilia from her...
Paid articleA Loan From The USSR (June 1973)
On Art A LOAN FROM THE USSR BY VIVIEN RAYNOR he major art event this spring has been the arrival of 41 Impressionist and Post-Impressionist paintings on loan from the Soviet Union's Hermitage...
Paid articleOn Art (May 1973)
On Art YANKEE MACHISMO BY VIVIEN RAYNOR M any of the 180-odd oils and watercolors by Winslow Homer must be old friends to most visitors of the current exhibition of his work at the Whitney...
Paid articleExercises in Erotica (April 1973)
On Art EXERCISES IN EROTICA BY VIVIEN RAYNOR "I have been trying to make girls, in one way or another, since I was seven." The words are Reg Butler's, and some of the girls he has made were...
Paid articleDisease, Death and Disaster (April 1973)
On Art DISEASE, DEATH AND DISASTER BY VIVIEN RAYNOR Two separate exhibits in adjoining galleries at the Museum of Modern Art (through April 29), The Prints of Edvard Munch and From the Picture...
Paid articleAngst in Oil (March 1973)
On Art ANGST IN OILS BY VIVIEN RAYNOR Although Chavannes and Sar Peladan, esteemed in his native Switzerland. Ferdinand Hodler is relatively unknown in the United States. Unlike his...
Paid articleExpressions and Images (February 1973)
On Art EXPRESSIONS AND IMAGES BY VIVIEN RAYNOR Eva Hesse died in 1970, at age 34, having hadApart from an art education that culminated in a BFA at Yale A working life of only 11 years, though...
Paid articleDiane Arbus' Search for Reality (December 1972)
On Art DIANE ARBUS' SEARCH FOR REALITY BY VIVIEN RAYNOR Diane Arbus, nee Neme-rov, was born in 1923 and grew up on Central Park West with her brother Howard—the poet and critic—and her sister...
Paid articleExotic Exhibits (November 1972)
On Art EXOTIC EXHIBITS BY VIVIEN RAYNOR The ages between the collapse of the Roman Empire and the rise of the Gothic style may have been Dark for the West, but for Asia they were very bright...
Paid articleOn Art (October 1972)
On Art AMERICAN CONTRASTS BY VIVIEN RAYNOR American landscape painting bloomed somewhat later than European, naturally, but it, too, was part of the Romantic movement Its practitioneis are...
Paid articleRemembering Hard Times (September 1972)
On Art REMEMBERING HARD TIMES BY VIVIEN RAYNOR Forty-six artists, including such notables as Adolph Gottlieb and Willem de Kooning, gathered last month in Easthampton, Long Island, to paint two...
Paid articleSelective Vision (August 1972)
On Art SELECTIVE VISION BY VIVIEN RAYNOR "I wanted to show what war did to a man. ... I wanted to show something of the agony, the suffering, the terrible confusion, the heroism which is everyday...
Paid articleDesign and Abstraction (July 1972)
On Art DESIGN AND ABSTRACTION BY VIVIEN RAYNOR Italy: The New Domestic Landscape, the show at the Museum of Modern Art through September 11, is as difficult to view as review. It is divided...
Paid articleOne for the Birds (June 1972)
On Art ONE FOR THE BIRDS BY VIVIEN RAYNOR As the sap rises, public interest in art dwindles. So this seems a good moment to examine another type of exhibition, one more appropriate to the...
Paid articleMasters of Reality (May 1972)
On Art MASTERS OF REALITY BY VIVIEN RAYNOR The history of modern art is an account of many fresh starts For about a century, succeeding generations of artists have regarded the work of their...
Paid articleOn Art (April 1972)
On Art MATISSE TO MAO BY VIVIEN RAYNOR Matisse took up sculpture "as a rest from painting ... to put order in my feelings, and find a style to suit me. When I found it in sculpture, it helped me...
Paid articleOn Art (March 1972)
On Art ANOTHER HOMAGE TO THE MASTER BY VIVIEN RAYNOR The. he Master's birthday is becoming a bit of an albatross for critics, celebrated as it is with mounting frequency. Small wonder there is...
AuthorRAYNOR, VRVIEN
RangeRd - Rg
RangeRh - Rk
RangeRl - Ro
RangeRp - Rs
RangeRt - Rz
LetterS
LetterT
LetterU
LetterV
LetterW
LetterX
LetterY
LetterZ
Kanda Software, Inc.