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KRAAR, LOUIS
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KRAFT, JOSEPH
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KRAMER, DAVID J.
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KRAMER, HILTOM
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KRAMER, HILTON
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Criticism and History
(December 1969)
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CRITICISM AND HISTORY BY HILTON KRAMER The posthumous publication of Randall Jar-rell's The Third Book of Criticism (Farrar, Straus & Giroux, 334 pp., $7.50) is a melancholy event-melancholy not...
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Henry James in the Nineties
(May 1969)
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A DIPTYCH OF MORAL RISK Henry James in the Nineties By Hilton Kramer There is, as Henry James would have been the first to appreciate, a marvelous symmetry to be found in the fact that the...
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A Man in His Thoughts
(December 1966)
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'LETTERS OF WALLACE STEVENS' A Man in His Thoughts By Hilton Kramer With the passage of time the poetry of Wallace Stevens tightens its hold on the mind. Images that once seemed mere elegance, a...
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Real Gardens with Real Toads
(January 1966)
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WRITERS & WRITING Real Gardens with Real Toads By Hilton Kramer The belief, apparently widely held, that Truman Capote is a "master" of the art of fiction is not one that critical scrutiny...
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The Loss of Paris
(January 1966)
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WRITERS & WRITING The Loss of Paris By Hilton Kramer We have needed a book about postwar France. We have needed a critical mind, informed but detached, comprehensive but sufficiently...
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Measuring the Loss
(June 1965)
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WRITERS^WRITING Measuring the Loss By Hilton Kramer Twenty years ago, when the New Criticism was first bestirring the English Departments in a big way and thereby preparing the ground for all...
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Eloquence and Smokescreens
(November 1965)
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WRITERS & WRITING Eloquence and Smokescreens By Hilton Kramer To a Reputation already overdrawn James Baldwin's new book adds little luster. Going to Meet the Man (Dial, 249 pp., $4.95) is a...
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Doris Lessing's Black Notebook
(October 1965)
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WRITERS & WRITING Doris Lessing's Black Notebook By Hilton Kramer Certain works of literature summarize their .epochs. in a way that leaves them permanently fixed ill the Imagination. We return...
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The Anarchy of History
(September 1965)
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WRITERS & WRITING The Anarchy of History By Hilton Kramer Some books redirect our thinking. Others-no less urgent, impassioned, or historically engage only argue the necessity of new thought...
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Queer Affirmations
(August 1965)
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WRITERS & WRITING Queer Affirmations By Hilton Kramer The era of guilt and dissimulation in American homosexual fiction appears—if I read the signs correctly—to be abating. A period of queer...
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The House of Auden
(August 1965)
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WRITERS WRITING The House of Auden By Hilton Kramer The poetry of W. H. Auden is a poetry of generalization, abstraction, and elegant homily. Its vision, though animated by quite disparate...
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Plain and Fancy
(May 1965)
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On art By Hilton Kramer Plain and Fancy Readers who habitually take solace in dictionaries-Lenin, we know, was one of them-must always, I suppose, be regarded with a certain suspicion. There is...
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ART
(April 1965)
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ON ART By Hilton Kramer A World of Shadows Taken in its entire historical sweep, from Colonial times down, say, to the day before yesterday, American painting cannot be said to have lodged...
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The Buffalo Festival-I
(March 1965)
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ON ART By Hilton Kramer The Buffalo Festival-l BUFFALO Festivals are to the arts what crash programs are to the military. Immense resources are lavished upon highly circumscribed goals. The...
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ART
(February 1965)
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ON ART Instant History By Hilton Kramer Among the museological luminaries who currently preside over our artistic affairs, none is a more curious phenomenon than Lawrence Alloway, the curator of...
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The Artist is Visionary
(January 1965)
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ON ART By Hilton Kramer The Artist as Visionary Expressionism was born in the capitals of Northern and Central Europe where the cultural consequences of the Enlightenment met with deeper...
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On Art
(December 1964)
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ON ART By Hilton Kramer Two Masters Among the world's greatest living sculptors—a group that includes Picasso, Giacometti, Gabo, and Moore—the two who are now producing the most compelling...
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On Art
(November 1964)
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ON ART By Hilton Kramer 'Luxe, Calme et Volupté' OUR CUP runneth over. With Pierre Bonnard at the Museum of Modern Art, Edouard Vuillard at Wildenstein's, André Derain at Hirschl &...
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An American Vision
(October 1964)
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ON ART By Hilton Kramer An American Vision Edward Hopper has long been a living classic of American art. This is not always the happiest fate for an American artist. Often it means only...
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False Credentials
(September 1964)
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ON ART By Hilton Kramer False Credentials The historiography of modern art will some day provide a subject almost as rich—and certainly as complicated—as the history of the art itself....
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the Expense of Observation
(August 1964)
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ON ART By Hilton Kramer The Expense of Observation For many sophisticated people, who in other respects do not feel alienated from modern taste and are by no means hostile or indifferent to...
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Magnificent and Vulnerable
(July 1964)
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ON ART By Hilton Kramer Magnificent and Vulnerable Notwithstanding the criticisms that are frequently and legitimately directed at the Museum of Modern Art, including those made recently...
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The Moma of Us All
(May 1964)
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ON ART By Hilton Kramer The MOMA of Us All Pundits and ideologues who enjoy delivering themselves of knowing generalizations about the '30s rarely, if ever, mention the Museum of Modern Art...
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From Auacity to Pompier
(April 1964)
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ON ART By Hilton Kramer From Audacity to Pompier Artists who trade heavily in novel materials and startling effects always run the risk of being overtaken by the sheer passage of time. A...
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Kitsch and the Real Thing
(March 1964)
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ON ART By Hilton Kramer Kitsch and the Real Thing One often hears the complaint-I have made it myself many times-that the New York art scene is altogether too frivolous and changeable,...
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On Art
(March 1964)
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ON ART By Hilton Kramer Purifying the Past No idea has been more consistently upheld by the spokesmen of modern art than the notion of artistic autonomy. A belief, verging at times on...
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ON ART
(February 1964)
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ON ART By Hilton Kramer The Case of Morton Schamberg The number of American artists who really grasped the inner meaning of the modern movement in Europe in its early stages was remarkably small....
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KRAMER, MARTIN
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KRAMER, MIMI
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KRARR, LOUIS
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KRASIKOV, SANA
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KRAUSS, ROSALIND
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KREFETZ, GERALD
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KREISKY, BRUNO
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KRICKUS, RICHARD J .
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KRISHER, BERNARD
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KRISLOV, SAMUEL
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KRISTOF, LADIS K.
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KRISTOI, IRVING
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KRISTOL, IRVINC
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KRISTOL, IRVING
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Krivitsky, General Walter G.
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KRONISH, SIDNEY J.
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Kruger, A. N.
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KRUTCH, JOSEPH WOOD
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KRYCIER, RICHARD
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KRYGIER, RICHARD
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Kryyier, Richard
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Krzycki, Leo
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