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AuthorJ., Rev. Edward J. Hogan, S.
AuthorJABLONS, PAMELA
AuthorJack, Homer
AuthorJACKSON, COLIN
AuthorJACKSON, HENRY M.
AuthorJACOBS", "SAM ROMER, NORMAN
AuthorJACOBS, DAN N.
AuthorJACOBS, FRANCOISE
AuthorJACOBS, LAURA
AuthorJACOBS, LAURA A .
AuthorJACOBS, LAURA A.
Paid articleOn Dance (March 1989)
On Dance TAPPING ON BROADWAY BY LAURA A. JACOBS It is ethnic dance that tends to fare best on Broadway, the Moiseyevs and the Georgians. And then, in a class by itself, there is the work of...
Paid articleOn Dance (January 1989)
On Dance YEAR-END OFFERINGS BY LAURA A. JACOBS December is the month of The Nutcracker. Even at Macy's shoppers find the ubiquitous Gershwin medleys replaced by the "Waltz of the...
Paid articleOn Dance (November 1988)
On Dance THE LAST JOFFREY PROJECT BY LAURA A. JACOBS The eighties have not been kind to classical ballet. George Balanchine, perhaps the greatest classical choreographer in history, died...
Paid articleOn Dance (October 1988)
On Dance MARTHA GRAHAM AT94 BY LAURA A. JACOBS For many autumns now, the Martha Graham opening night gala has been an event to wonder at and sigh over. Reminders of Graham's greatness...
Paid articleOn Dance (August 1988)
On Dance SUMMER SHRIEKS AND SHTICKS BY LAURA A. JACOBS A man attired in military blue and red, shoulders thrown back, hands gripping imaginary reins, performs a high Spanish trot in a...
Paid articleOn Dance (June 1988)
On Dance PERILS OF A FESTIVAL BY LAURA A. JACOBS This spring's three-week-long American Music Festival (AMF) was the first major undertaking of its kind by the New York City Ballet since...
Paid articleOn Dance (May 1988)
On Dance TAYLOR-MADE AND FRIPPERY BY LAURA A. JACOBS PAul Taylor, our reigning modemdance choreographer, has cultivated one of the most impersonal movement vocabularies in the history of...
Paid articleOn Dance (April 1988)
On Dance IN THE AGE OF CUNNINGHAM BY LAURA A. JACOBS No matter how many dance concerts you attend in the course of a year, when you go to see Merce Cunningham you're always starting over....
Paid articleReflections on Mortality (March 1988)
On Dance REFLECTIONS ON MORTALITY BY LAURA A. JACOBS Choreographer Jerome Robbins' position at the New York City Ballet (NYCB) has been described as that of "a prince with his own...
Paid articleThe Nijinsky Legacy (November 1987)
On Dance THE NIJINSKY LEGACY BY LAURA A. JACOBS At that infamous Paris premiere on May 29, 1913, all ears could hear what sensibilities were not yet willing or able to...
Paid articlePast Masters and Schlockmeisters (November 1987)
On Dance PAST MASTERS AND SCHLOCKMEISTERS BY LAURA A. JACOBS The premiere featured in Martha Graham's three-week engagement at the New York City Center this autumn was Persephone, a dance...
Paid articleOn Dance (October 1987)
On Dance TRISHA BROWN'S EMPTY FLASHES BY LAURA A. JACOBS You can go a whole season without thinking about how a choreographer gives meaning to a dance. Then a curtain goes up, the dancers...
Paid articleOn Dance (August 1987)
On Dance STUMBLING AT THE BOLSHOI BY LAURA A. JACOBS Yuri Grigorovich, artistic director and chief choreographer of the Bolshoi Ballet, showed a sort of shrewdness in opening his...
Paid articleOn Dance (July 1987)
On Dance LETDOWN AT LINCOLN CENTER BY LAURA A. JACOBS Oa balmy summer night Lincoln Center is a charmed place. Crowds gather, chatting excitedly, then disperse into the theaters. The odd...
Paid articleBlossom Time in New York (June 1987)
On Dance BLOSSOM TIME IN NEW YORK BY LAURA A. JACOBS Dance in New York explodes in the spring. With so much going on— American Ballet Theatre (ABT) at the Met, New York City Ballet (NYCB)...
Paid articleOn Dance (March 1987)
On Dance COMPANIES IN TRANSITION BY LAURA A. JACOBS One of Twyla Tharp's early and difficult works, The Fugue, is a dance for three without music that presents structure as rhythm and vice...
Paid articleArmitage's Brazen Classicism (February 1987)
On Dance ARMITAGE'S BRAZEN CLASSICISM BY LAURA A. JACOBS IN late January Manhattan's Joyce Theater hosted a week-long series of performances by the Armitage Ballet. Artistic director and...
Paid articleOn Dance (December 1986)
On Dance HARROWING COMMUNICATION BY LAURA A. JACOBS LIGHT SEEPS CAUTIOUSLY Onto the stage. It caresses, irradiates and modulates the carved-ivory shapes formed by Eiko and Koma. Apocalypse...
Paid articleOn Dance (November 1986)
On Dance RIDING THE NEXT WAVE BY LAURA A. JACOBS THE CONCEPT of the Next Wave Festival, put on by the Brooklyn Academy of Music (bam), raises several questions. Are the artists supposed to be the...
Paid articleOn Dance (August 1986)
On Dance WHERE THE KIROV DIFFERS BY LAURA A JACOBS For those of us who had never seen Leningrad's Kirov Ballet, but had pieced together an ideal from the glimpses afforded by books and films, and...
Paid articleOn Dance (June 1986)
On Dance CHALLENGING BALLET'S NUMERICS BY LAURA A. JACOBS when Merce Cunningham created Arcade for the Pennsylvania Ballet last year as part of the National Choreography Project, he did not...
Paid articleOn Dance (February 1986)
On Dance PATTERNS FROM THE PAST BY LAURA A. JACOBS Peter Martins' latest work for the New York City Ballet, Songs of theAu-vergne, is not as dense or sharply projected as last year's Poulenc...
Paid articleOn Dance (September 1985)
On Dance STEPPING OFF THE SCREEN BY LAURA A. JACOBS Two recent re-creations, Twyla Tharp's Singin' in the Rain and Roland Petit's The Blue Angel, have demonstrated what one might have thought was...
Paid articleOn Dance (August 1985)
On Dance PLAYFUL CONSTRUCTION BY LAURA A. JACOBS Many of choreographer David Gordon's best dances are fired by word/movement ideas that connect with andmomentlyilluminate the murkier waters of...
Paid articleOn Dance (June 1985)
OnDance SEASONS OF EROS BY LAURA A. JACOBS As they age, Martha Graham's works seem to be moving further onto their distinctive terrain. Originally the very personal expressions of a great...
Paid articleOn Dance (April 1985)
On Dance CUNNINGHAM'S DEBT TO KANDINSKY BY LAURA A. JACOBS By a fruitful coincidence, Vas-ily Kandinsky's Paris oeuvre was the focus of a show at New York's Guggenheim Museum not long ago while...
Paid articleOn Dance (January 1985)
On Dance LANGUISHING IN MOTION BY LAURA A. JACOBS when Jean Coralli and Jules Perrot's Giselle premiered in Paris in 1841 it was immediately taken up by the poets of the day—Theophile Gautier,...
AuthorJACOBS, MARK
AuthorJACOBS, NORMAN
AuthorJACOBS, PAUL
AuthorJACOBS, REINHOLD NIEBUHR/PAUL
AuthorJACOBSEN, J. K.
AuthorJACOBSEN, KURT
AuthorJacobsohn, Peter
AuthorJACOBSON, DAN
AuthorJACOBSON, SID
AuthorJACOBY, SUSAN
AuthorJACOBY, TAMAR
AuthorJAECKEL, HUGO
AuthorJAEGER, GEORGE
AuthorJAFFE, JULIAN F.
AuthorJAHODA, MARIE
AuthorJAKAB, ELISABETH
AuthorJAMES, DANIEL
AuthorJAMES, HAROLD
AuthorJAMES, HIBBARD
AuthorJames, Jack
AuthorJANCAR, BARBARA WOLFE
AuthorJanet, Leonard M.
AuthorJANEWAY, MICHAEL
AuthorJANOS, LEO
AuthorJansson, John
AuthorJasny, N.
AuthorJasny, W.
AuthorJaszi, Oscar
AuthorJAUNTY, J.I.
AuthorJAVITS, JACOB K.
AuthorJavits, Rep. Jacob K.
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