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J - Jc
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J., Rev. Edward J. Hogan, S.
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JABLONS, PAMELA
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Jack, Homer
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JACKSON, COLIN
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JACKSON, HENRY M.
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JACOBS", "SAM ROMER, NORMAN
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JACOBS, DAN N.
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JACOBS, FRANCOISE
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JACOBS, LAURA
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A Loss of Tradition in the Kirov
(August 1992)
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On Dance A LOSS OF TRADITION IN THE KIROV BY LAURA JACOBS When the full Kirov Ballet last came to New York in 1989, it brought a looming and leafy Sleeping Beauty, a later version of the work it...
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Ballet's Mixed Messages
(June 1992)
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On Dance BALLET'S MIXED MESSAGES BY LAURA JACOBS A AFEW years ago dance critic Clive Barnes, in a critique of his colleagues, wrote that they were a bunch of sexually repressed spinsters and...
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Spring's Slow Start
(May 1992)
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On Dance SPRING'S SLOW START BY LAURA JACOBS Mark Morris' mane of raven hair has long had telling associations for me. It used to evoke the deeply wrought waves that frame faces by Edward...
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The Art of Bunraku
(March 1992)
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On Dance THE ART OF BUNRAKU BY LAURA JACOBS Anation's approach to its puppet theater is as distinct as its politics or poetry—and therefore lends itself to interesting analysis. How are the...
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Some Achieve Greatness
(January 1992)
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On Dance SOME ACHIEVE GREATNESS BY LAURA JACOBS Just as the rookie's fate in the major leagues fascinates baseball fanatics, the young dancer's rise through the ranks is an exciting part of the...
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On Dance
(December 1991)
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On Dance THE FORTIES AND BEYOND BY LAURA JACOBS After dutifully dumping quarters into the machine for a handful of lackluster seasons, Paul Taylor finally hit the jackpot. He...
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On Dance
(October 1991)
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On Dance DYING SWANS BY LAURA JACOBS "I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh; it is my spirit that addresses your spirit;...
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On Dance
(July 1991)
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On Dance SHADES OF UNCERTAINTY BY LAURA JACOBS Cirque du Soleil, now on tour in the United States, could be spotted from a long way off during its recent visit to the Big Apple. Its blue and...
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On Dance
(April 1991)
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On Dance REMEMBERING FONTEYN AND GRAHAM BY LAURA JACOBS Two important chapters in the history of dance closed during the early months of 1991 when Margot Fonteyn and Martha Graham, a Dame...
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On Dance
(January 1991)
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On Dance WALTZ TIME AT THE NYCB BY LAURA JACOBS INITIAL public reactions to the waltz were shock and disapproval. That is hardly surprising, given that the German verb, walzen, means to...
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On Dance
(January 1991)
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On Dance MARK MORRIS IN SEARCH OF A VOICE BY LAURA JACOBS ROMANTIC love has flourished at the ballet more happily and to greater effect than in any other imaginative realm. Even Giselle, a...
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On Dance
(October 1990)
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On Dance OF ANGELS AND WITCHES BY LAURA JACOBS At the beginning of this century, ballerina Anna Pavlova inflamed the hearts of women and girls everywhere. Embodying dance's strange...
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On Dance
(September 1990)
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On Dance ELUSIVE CLASSICISM BY LAURA JACOBS Only two foreign dance troupes —the Bolshoi Ballet and the Australian Ballet—ventured into Lincoln Center this summer. The Bolshoi'sproduction of...
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On Dance
(August 1990)
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On Dance MARK MORRIS AS DIDO AND THE SORCERESS BY LAURA JACOBS "Greta Garbo and Sarah Bernhardt are rolling in their graves," said a friend who had just sun Mark Morris in Henry Pureell's...
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On Dance
(July 1990)
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On Dance BAD DAYS FOR BALLERINAS BY LAURA JACOBS The current fashion in the ballet world is naysaying. The mood is one of gloom. This isn't such an abnormal state of affairs, really. From...
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On Dance
(March 1990)
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On Dance THE ABT AT FIFTY BY LAURA JACOBS It may seem only yesterday that the American Ballet Theatre (ABT) was celebrating its 40th anniversary, but this January it turned 50. For a...
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On Dance
(January 1990)
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On Dance FARRELL'S FAREWELL BY LAURA JACOBS Suzanne Farrell danced her last performance with New York City Ballet last November 26. She chose the moment and set the tone: Without...
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On Dance
(October 1989)
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On Dance FOLK MOVEMENTS BY LAURA JACOBS Because they often contain highly esoteric and idiosyncratic movement, modern and postmodern dance challenge the viewer. By contrast,...
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On Dance
(September 1989)
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On Dance EXQUISITELY ORIENTED BY LAURA JACOBS TENSION, momentum and modulation, the "primary colors" of dance, make movement meaningful even as it unfolds in an unfamiliar artistic...
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On Dance
(August 1989)
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On Dance THE KIROV'S TIMELESS VIRTUES BY LAURA JACOBS It was Mikhail Baryshnikov's desire to have his company perform the world's most difficult (because most sublimely formal) ballet that...
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On Dance
(June 1989)
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On Dance DOGGED DUALISTS BY LAURA JACOBS Paul Taylor's two new offerings for his latest month-long engagement at the City Center, Minikin Fair and Speaking in Tongues, continued his...
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On Dance
(April 1989)
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On Dance MATURE TALENTS BY LAURA JACOBS Jerome Robbins' Broadway, now running at New York's Imperial Theater, had one of the longest rehearsal and preview periods (26 weeks) in the...
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On Dance
(February 1989)
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On Dance FROM THE USSR TO THE NYCB BY LAURA A. JACOBS Much depends on the length of a skirt. That is a lesson we learn over and over again when watching ethnic dance, where gender...
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OnDance
(January 1986)
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On Dance MIXED MARK MORRIS BY LAURA A. JACOBS Mark Morris brought his company to New York last month for its much awaited two-week concert at the Dance Theater Workshop, an alternate space...
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JACOBS, LAURA A .
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JACOBS, LAURA A.
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JACOBS, MARK
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JACOBS, NORMAN
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JACOBS, PAUL
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JACOBS, REINHOLD NIEBUHR/PAUL
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JACOBSEN, J. K.
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JACOBSEN, KURT
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Jacobsohn, Peter
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JACOBSON, DAN
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JACOBSON, SID
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JACOBY, SUSAN
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JACOBY, TAMAR
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JAECKEL, HUGO
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JAEGER, GEORGE
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JAFFE, JULIAN F.
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JAHODA, MARIE
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JAKAB, ELISABETH
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JAMES, DANIEL
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JAMES, HAROLD
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JAMES, HIBBARD
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James, Jack
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JANCAR, BARBARA WOLFE
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Janet, Leonard M.
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JANEWAY, MICHAEL
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JANOS, LEO
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Jansson, John
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Jasny, N.
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Jasny, W.
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Jaszi, Oscar
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JAUNTY, J.I.
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JAVITS, JACOB K.
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Javits, Rep. Jacob K.
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