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G - Gc
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Gualtieri, Umberto
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Guerard, Albert
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GUEST, BARBARA
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Guizot, Henri
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GUREWICH, DAVRO
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GUREWITSCH, M. ANATOLE
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On Presenting a Master's Repertoire
(January 1982)
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On Presenting a Master's Repertoire Richard Strauss: The Staging of His Operas and Ballets By Rudolf Hartmann Translated by Graham Davies Oxford 280 pp $39.95 Reviewed by M Anatole...
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On Music
(November 1981)
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On Music REVIVING OPERATIC FAVORITES BY M. ANATOLE GUREWITSCH Between the Metropolitan and the New York City Operas, not to mention the countless smaller organizations that present works of lyric...
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Two Dying Swans and a Dud
(June 1981)
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On Dance TWO DYING SWANS AND A DUD BY M. ANATOLE GUREWITSCH At Saint Petersburg in 1907, where Mikhail Fokine hatched The Dying Swan, choreographic bird imagery was not precisely le dernier cri....
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Parade's End
(April 1981)
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On Dance PARADE'S END BY M ANATOLE GUREWITSCH Jean Cocteau's scenario for the 1917 ballet Parade mentions that often the passersby applauding free sidewalk previews of circus attractions do not...
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On Dance
(March 1981)
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OnDance BALLET THROUGH THE CAMERAS EYE BY M ANATOLE GUREWITSCH G iven half a chance, dance photographers will explain at length how difficult their work is Not unexpectedly, therefore, in the...
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On Dance
(January 1981)
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On Dance BALANCHINE'S EXTRAORDINARY PEOPLE BY M. ANATOLE GUREWITSCH "I teT is my firm belief that human society is divided into three distinct castes: Russian dancers, dancers, and very...
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On Dance
(November 1980)
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OnDance MAKAROVA ON BROADWAY BY M. ANATOLE GUREWITSCH V JL. our of the most influential presences in classical dance in the West today are the custodians of a single great tradition. George...
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On Music
(July 1980)
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On Music SWING TUNED BY M. ANATOLE GUREWITSCH Thanks to radio, keeping up with the musical life of the United States is a simple matter of staying tuned. The lead was set by the now traditional...
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On Music
(June 1980)
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On Music MAKING MUSIC DANCE by m. anatole gurewitsch JL^^etween the dance and concert stages today, territorial disputes are taking place—largely unacknowledged, it is true, but nevertheless...
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On Music
(May 1980)
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On Music THE LEGACY OF ALBAN BERG by m. anatole gurewitsch A Jl. JLlban Berg, who died in 1935 at age 50, has been making the international headlines lately. Last year his second opera, Lulu,...
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On Music
(March 1980)
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On Music KARAJAN'S MANY HUES by m. anatole gurewitsch is difficult to keep up with Herbert von Karajan. His recent spate of recordings, including three complete opera sets and a boxed collection...
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German Opera at the Met
(February 1980)
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On Music GERMAN OPERA AT THE MET by m anatole gurewitsch Under the musical directorship of James Levine, German opera is once again occupying a prominent place on the Metropolitan's seasonal...
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On Music
(January 1980)
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On Music MENDELSSOHN MISHANDLED BY M. ANATOLE GUREWITSCH D ecades have passed without so much as a mention of Felix Mendelssohn's once hugely popular choral spectaculars, and suddenly this season...
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Living Up to Mozart
(December 1979)
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On Music LIVING UP TO MOZART BY M. ANATOLE GUREWITSCH Mozart's Die Entfuhrung aus dem Serail (The Abduclion from the Seruglio) has had a brief history at the Metropolitan Opera. It first arrived...
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Three Tragic Operas
(November 1979)
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On Music THREE TRAGIC OPERAS by m. anatole gurewitsch the last act of Giacchino Rossini's Otello (1816), there is a celebrated moment when a voice from afar steals into the chamber of the...
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On Music
(October 1979)
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On Music MATCHLESS PERFORMANCES BY M. ANATOLE GUREWITSCH JL ^^osalyn Tureck, the "high priestess of Bach," is an uncompromising spirit. In defiance of convention, she insists on calling the...
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The Silent Woman
(September 1979)
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On Music THE SILENT WOMAN BY M. ANATOLE GUREWITSCH Richard Strauss' delightful Die schweigsame Frau (The Silent Woman), the joke is on one Sir Morosus, an elderly gentleman who cannot stand any...
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From Mozart to Massenet
(August 1979)
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On Music FROM MOZART TO MASSENET BY M ANATOLE GUREWITSCH The appearance of a new recording of the young Mozart's captivating Idotneneo, re di Creta (Deutsche Grammophon 2740 195) has given...
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On Music
(July 1979)
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On Music PURE SCHUBERT by m. anatole gurewitsch F JLm ranz Schubert's contributions to symphonic literature, chamber music and the art of the lied have earned him universal reverence and love....
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On Music
(June 1979)
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On Music ON THE GRAND SCALE BY M. ANATOLE GUREWITSCH n all music there is no song cycle more spectacularly conceived than the Gurrelieder("Songs of Gurre") and no richer example of lush...
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On Music
(May 1979)
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On Music METROPOLITAN TREASURE-2 BY M. ANATOLE GUREWITSCH T ^L. he "lyric scenes" of Tchaikovsky's Eugene Onegin (the composer did not call the work an opera) tell the tale from Pushkin's...
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On Music
(April 1979)
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On Music METROPOLnAN TREASURE-1 BY M. ANATOLE GUREWITSCH E JL^/very worthwhile artistic venture—if it lives long enough—eventually faces the same crisis: the departure of the spirit of...
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On Music
(March 1979)
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On Music BAROQUE PRACTICES BY M. ANATOLE GUREWITSCH u nttl roughly the '50s, au-diences at large knew the baroque only as reflected in scores available from the 19th century, or at least in the...
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REVIVING VIVALDI'S OPERAS
(January 1979)
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On Music REVIVING VIVALDI'S OPERAS BY M. ANATOLE GUREWITSCH At his death in 1741, Antonio Vivaldi left the world hundreds of compositions: concertos for violin and other solo instruments,...
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Keys to Beethoven
(January 1979)
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On Music KEYS TO BEETHOVEN M. ANATOLE GUREWITSCH LUDWIG VAN BEETHOVEN No single exponent of Beethoven's keyboard literature dominates our age. That is as it should be. For to canonize one...
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Uneven Operatic Revivals
(November 1978)
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On Music UNEVEN OPERATIC REVIVALS BY M. ANATOLE GUREWITSCH This fall, Lincoln Center's two resident opera companies launched ambitious seasons, distinguished by adventurous revivals. Among...
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On Music
(October 1978)
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On Music FOLLOWING THE LIEDER BY M. ANATOLE GUREWITSCH o r aii musical forms, the song is not only the earliest and the most spontaneous but for centuries n remained a "popular" genre belonging...
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On Music
(September 1978)
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On Music CLASSICAL TRIPTYCH BY M. ANATOLE GUREWITSCH there are two composers whose movie scores have made the transition to the concert stage as "serious" works in their own right, the second...
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Monteverdi in Zurich
(August 1978)
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On Music MONTEVERDI IN ZURICH BY M. ANATOLE GUREWITSCH Zurich Over the past three seasons, the Zurich Opera House has mounted the three surviving operas of Claudio Monteverdi-l'Orfeo (1607),...
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From the Sublime
(June 1978)
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On Music FROM THE SUBLIME... BY M. ANATOLE GUREWITSCH In March, Dietrich Fischer-Dies-kau, the foremost lieder singer of our age and most recorded artist in musical history, honored the 150th...
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The Tenor's Reach
(March 1978)
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On Music THE TENOR'S REACH by m. anatole gurewitsch T enors are much maligned. They have resonance, it is said, where their brains should be. Yet a real artist needs more than a range of notes...
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Price Meets "Ariadne"
(January 1978)
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On Music PRICE MEETS ARIADNE' BY'M. ANATOLE GUREWITSCH People who write copy for record jackets have to make claims for their product even when there is not much to say. That is probably why, on...
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Tuning in to Opera
(November 1977)
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On Music TUNING IN TO OPERA BY M. ANATOLE GUREWITSCH One of the science books I had as a boy showed-in an illustration that puzzled and disturbed me-"How Modern Technology Is Shrinking the...
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Resurrecting Haydn's Operas
(October 1977)
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On Music RESURRECTING HAYDN'S OPERAS BY M. ANATOLE GUREWITSCH Upon hearing Mozart's Die Entfuhrung aus dem Serail, Haydn was so moved that he gave up writing operas. And Le nozze di Figaro,...
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Bravos for Von Stade
(August 1977)
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On Music BRAVOS FOR VON STADE BY M. ANATOLE GUREWITSCH Given her talent and her looks, Frederica von Stade could have launched a "promising" vocal career without bothering to learn to sing. But...
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Assorted Celebrations
(July 1977)
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On Music ASSORTED CELEBRATIONS BY M. ANATOLE GUREVVITSCH with his lyre, Amphion raised the walls of Thebes. I can think of no more splendid image for the power of music. Impalpable and fleeting,...
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Grand and not so Grand Opera
(June 1977)
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On Music GRAND ANDNOTSO GRAND OPERA BY M. ANATOLE GUREWITSCH In great drama, history is a sweeping vista where the speculative mind can divine the forces that shape human destiny. Viewing...
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Tampering with a Masterpiece
(January 1977)
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Tampering with a Masterpiece Opal By Opal Whitely Arranged and adapted by Jane Boulton Macmillan. 183 pp. $6.95. Reviewed by M. Anatole Gurewitsch Contributor, "Modern Fiction Studies,"...
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GUREWITSCH, M. ANTOLE
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GUREWITSCH, M.ANATOLE
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GUREWITSCH, MANATOLE
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GUREWITSCH, MATTHEW
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GUSTYLER
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GUTMAN, ROBERT
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GUTWILLIG, ROBERT
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