Fathers and Sons

KANELOS, PETER

Fathers and Sons Why the ghost of Hamlet still haunts Stephen Greenblatt. BY PETER KANELOS Stephen Greenblatt prefaces Hamlet in Purgatory with an extremely personal anecdote. He tells of his...

...He could not entirely divest himself of the belief in ghosts...
...Hamlet in Purgatory is concerned first and foremost with the power that the dead exercise over the living...
...Instead...
...Ay, thou poor ghost, while memory holds a seat In this distracted globe...
...Indulgences could be purchased or masses said for the deceased...
...This is not new territory for Stephen Greenblatt, Cogan University Professor at Harvard and editor of the influential Norton edition of Shakespeare's works...
...This question is almost certainly unanswerable by the new historicism...
...moreover, by representing a ghost and Purgatory on stage, he registered, perhaps not consciously, his dismay upon seeing the older structures dismantled...
...There is a sliding scale in Hamlet: At the one end, to remember is to surrender oneself to the obligations imposed by family, society, and history...
...To give credence to ghosts was decidedly un-Protestant...
...So, in his will, he set aside a sum of money to ensure that an organization that provides such services for a fee would carry out the ritual...
...The Ghost in Hamlet, Greenblatt insists, rising from the "middle state," is a Catholic ghost, while the prince, educated at Wittenberg, obsessed with literacy and language, is distinctly Protestant...
...The Ghost has a clear sense of how he would like to be remembered— through swift and lethal retribution...
...However distasteful or repellent the Ghost's call for revenge is to Hamlet, he cannot put it out of mind...
...Of course, that leaves unanswered the question of how individual voices of writers separated from us by time, circumstance, and culture, nonetheless retain over us their powerful hold...
...Christians, the reformers argued, went straight to Heaven or Hell...
...Jacob Burckhardt, in his famous study The Civilization of the Renaissance in Italy, had presented the Renaissance, in Hegelian manner, as the period in which the autonomous individual, no longer encumbered by Medieval faith and superstition, and reinvigorated by the principles of humanism, began to emerge in Western culture...
...Strongly influenced by Foucault and Lacan, Marxist aesthetics and feminist theory, the new historicists questioned the legitimacy of the canonical voices...
...Yet they remained there, under pressure, welling up at times, often violently...
...they lingered on as shades, pleading for intercession, hoping to be remembered by the living...
...Stephen Greenblatt rightly situates memory at the heart of this matter...
...he is distracted by his own thoughts...
...Peter Kanelos is completing his doctorate in political philosophy and literature at the University of Chicago...
...As a founder of the "new historicism," he has for years been promoting a literary criticism that puts in the foreground the social and historical nature of representation—and with the ascendancy of this method of interpretation, Greenblatt has emerged as the preeminent American figure in Renaissance studies...
...According to this doctrine, one could reduce one's sentence in Purgatory only through the mediation of the clergy...
...Remember thee...
...Protestant polemicists—Tyndale, Latimer, Donne—rallied against this belief...
...The pair thus represent two world-views in conflict with one another...
...Yet, Greenblatt maintains, ghosts were not so easily dispelled...
...The uneasy spirit must find a way to push him forward if he is to gain any rest...
...It was the worst sort of Papist propaganda, profiting off superstition and ignorance...
...It is for this reason that the play is populated by so many dead fathers and their sons: old Norway and young Fortinbras, Polonius and Laertes, King Hamlet and Prince Hamlet...
...the space of Purgatory becomes the space of the stage where old Hamlet's Ghost is doomed for a certain period to walk the night...
...By advertising Purgatory, a middle state between Heaven and Hell, where souls are scoured clean of their inveterate sins, Rome secured its grip over the faithful...
...Yet they, as father and son, are irrevocably conjoined: They share name and blood, a mutual hatred for Claudius and a mutual concern for the queen...
...It seems fairer to say that the jagged progression from a Catholic to a Protestant England forms the topography of Hamlet...
...Stephen Greenblatt reads Hamlet as elucidating this tension: With the doctrine of Purgatory and the elaborate practices that grew up around it, the Church had provided a powerful method of negotiating with the dead, or, rather, with those who were at once dead and yet, since they could still speak, appeal, and appall, not completely dead...
...The work that first brought widespread attention to new historicism was Stephen Greenblatt's Renaissance Self-Fashioning, published in 1980...
...Thus, the Church held, the dead did not disappear...
...As the Reformation took hold in England, the belief in Purgatory inevitably waned...
...Remember me, implores the Ghost of Hamlet's father after revealing that he has been murdered and urging the prince to hasten to his revenge...
...But the death of his father seems to have pushed the question of Shakespeare's power to explain and suggest universal human experiences back into the forefront of Greenblatt's mind—for Hamlet is, at last, not just a Renaissance artifact, but an eternal presentation of sons who have lost fathers...
...A group of young academics, uncomfortable with the New Criticism then dominant, met on a regular basis, with subversive intentions...
...Thhus even Henry VIII, who dissolved the monasteries and chanceries that made a brisk business off the sale of prayers for the departed, commanded upon his own death that a large sum be paid out to the poor, on the condition that they pray for his relief in the afterlife...
...and at the other end, to remember entails, simply and exclusively, what Claudius describes as the "remembrance of ourselves...
...Prayers for the deceased were pointless, even blasphemous...
...Yea, from the table of my memory I'll wipe away all trivial fond records, All saws of books, all forms, all pressures past, That youth and observation copied there, And thy commandment all alone shall live Within the book and volume of my brain Unmixed with baser matter...
...Yet Hamlet fixes his attention not on vengeance, but on remembrance: Remember thee...
...The new historicism sprouted in the late 1960s and early 1970s...
...Adieu, adieu, adieu...
...That which haunts him charges the play with its enigmatic, yet undeniable energy...
...When he discovered this bequest, Greenblatt felt slighted: His father had not trusted him to meet his filial duty...
...But Hamlet does not take immediate action...
...Purgatory, they declared, was a fiction, a vast poem crafted to transfer wealth into the coffers of the clergy...
...However progressive their theology, not all Englishmen were prepared to forget those who had passed on...
...Very few souls advanced directly to their final destination in the afterlife...
...It was for the benefit of the living that the dead were remembered...
...The Protestant attack on the "middle state of souls" and the middle place those souls inhabited destroyed this method for most people in England, but could not destroy the longings and fears that Catholic doctrine had focused and exploited...
...He recited the prayers, nonetheless, with, as he describes, a mixture of love and spite...
...As Hamlet in Purgatory gracefully expresses, it is our perpetual challenge to find a balance between these extremes...
...Influential for most of the mid-century, the New Criticism, typified in Shakespeare studies by G. Wilson Knight, approached literature as if it housed eternal truths, which could be accessed only through close study of the symbols and images found in the text...
...Where the New Critics had found the triumphant and transcendent, they uncovered oppression and discord...
...The play itself is concerned with the broader question of transition—from one husband to the next, one king to another, from life to death...
...T he succor given to the departed rebounded back upon the living...
...He tells of his father who, obsessed with death his entire life, feared that his sons would not perform the Kaddish, the traditional Jewish prayers for the dead, after his death...
...A document found in 1757 behind the tiles of the house in which the playwright was born (though since lost) has suggested to many scholars that his father, John, was a recusant Catholic...
...In Hamlet in Purgatory, Greenblatt contends that the Catholic Church of the Renaissance had a vested interest in the preservation of ghosts...
...Greenblatt surmises from this that Shakespeare, who outwardly conformed to the Anglican creed, may have invested in Hamlet his own ambiguous feelings towards the faith of his father...
...The new Protestant faith had by Shakespeare's day forced the old ways underground...
...T he doctrine of Purgatory had been effective because it met a genuine human need...
...Shakespeare knew well that the past might be suppressed, but is never dispelled...
...Seizing on a claim made by the anthropologist Clifford Geertz in his seminal work The Interpretation of Cultures (1973), Green-blatt asserted, "Self-fashioning is in effect the Renaissance version of these control mechanisms, the cultural system of meanings that creates specific individuals by governing the passage from abstract potential to concrete historical embodiment...
...The new historicists sought to undermine all this by looking at literature in light of the historical circumstances of its production...
...The younger generation of scholars found this approach elitist and distorted: It presumed that there were universal truths applicable to all cultures, and it suggested that there was an upward progress in history—human beings, gradually enlightened, moving ever closer towards these truths...
...As a corrective, they searched out an alternative history in the tangential, marginal, and what had hitherto been thought of as minor...
...Yet even as he posits this, Greenblatt backs away, as if having admitted there are evident general truths about human nature in Hamlet, he has said enough...
...Although he would not negotiate with Rome for the privilege, Henry also wanted to hurry his soul past the sufferings of Purgatory...
...The individual evaporates into the haze of history...

Vol. 6 • August 2001 • No. 46


 
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