SAINT JOAN: FORERUNNER OF FREEDOM

...Gannett and Gosse are essentially conscrvatiye in their view point and Erskine does not depart after the new and the revolutionary in writing...

...She—the consciousness of the people—has not risen to see that no one must stand between man and his conscience, man and his country, man and his work on earth, and the reward of his honest labor...

...In the economic sense, there is for the great mass of men and women neither liberty nor equality...

...Shubbert...

...Leona La Mae the Mind Reader and others...

...Without a much neater degree of both than now exists, the personal and political liberties which have,been so hardly won ihrpujrii a century of struggle Iqua hnlf their importance, and democracy Itself is scarcely more than n pious hope.—Carl Bicker in ','The United States, An Experiment In Democracy...

...is a concert manager of note, and a composer of distinction, "THE GIFT" represents her first full-length production to be offered New York...

...Reiscnfeld's Classical Jazz...

...he assembled all his friends at dinner, and stripped theni one by one of all their fin's pretense, listing the deeds and greedy desires of every one...

...A e o l i a n H a l l o n I ' . b THEATERS America's Foremost Theaters and Hits, Direction of Lee & J.J...

...This is the conclusion of the student, who h s s watched the disintegration of a group where one old nlan would wreak vengeance, a social group that is poisonous with crime and evil hope...

...and the Reformation has ended the indisputed power of the priests over men's consciences minds and souls...

...These volumes, profusely illustrated, make not only an excellent reference work for the library —but also is of great value to t h e ' student...

...As a matter of record it, however, is an excellent work...

...Perhaps we can begin to understand why critics, content with society as it i s , suggest that the author of this play was temporarily Insane...

...Where can I find anything that keeps its promise...

...He was taken to a madhouse, where he died...

...J o h u I n I n c a n d H . ( J . W e l l * , w i l l b e p r e s e n t e d a t t h e L e n o x H l t l T b c a t r o e a r l y n e xt m o n t h . K y r a , t h e s e n s a t i o n a l d a n c e r I n " A r t i s t* a n d M o d e l * . " t h e r e v u e a t t h o tihubert T h e a t r e , h a s J u a t p e r f e c t e d a s t a r t l i n g d a n c e in w h i c h e v e r y m u s c l e o f t h o h u m a n b o d y Is b r o u g h t I n t o p l a y . B e f o r e e m b a r k i n g o n a s t a g e c a r e e r K y r a w a a a l e c t u r e r o n t h e s u b j e c t o f p h y s i c a l c u l t u r e. O f " S u n U p . " t h e a b s o r b i n g d r a m a In w h i c h L u c i l l e i n w i n . |M s p u r r i n g it t h e 1 ' r l r i c e a a T h e a t r e . I t m a y b e s a i d w i t h o ut e x a g g e r a t i o n , t h a t t h i a p r o d u c t i o n , s h o w i ng a a It d o e a t h e I n n a t e p r e j u d i c e s , s m o t h e r ed a m b i t l o n e , a n d I n a r t i c u l a t e asol r a t i o n * o f N o r t h C a r o l i n a m o u n t a i n e e r s , r o p r e e e n l H , I n a m e a s u r e , a " S u n U p " f o r t h e c o n t e m p o r a r y t h e a t r e . A l i c e B r a d y r e t u r n s t o B r o a d w a y In h e r m o s t s u c c e s s f u l p l a y , " Z a n d e r t h e G r e e t , " f u r a w e e k ' s e n g a g e m e n t a t t h e flhubertR t v l e r a T h e a t r e , c o m m e n c i n g M o n d a y . M i ss M r a d y w i l l b o a s s i s t e d b y t h e o r i g i n a l E m p i r e T h e a t r e c a s t. " R o s e u n n e " w i l l m o v e f r o m t h e G r e e n w i c h V i l l a g e T h s a t r a t o t h e C e n t u r y R o o f n e xt M o n d a y n i g h t. T h e L o n g a c r o T h e a t r e w i l l h o u s e L . L a w - n n e e W e b e r ' s m u s i c a l c o m e d y , " M o o n l i g h t ," w h i c h I s s c h e d u l e d t o o p e n W e d n e s d a y * » > rin g J a n u a r y 3 0 . " U t i l e J e s a l e J a m e s " w i ll b e t r A - n s f c r n - d t o t h e L i t t l e T h e a t r e , M o n d a y , J a n u a r y 2 K t b. " A n d r a C h a r i o t ' s H e v u o o f 1 S I 4 " w i l l h a ve I l a m i d - w e e k m a U n e a a t t h e T i m e s B q u n re T h e a i r e o h W e d n e s d a y I n s t e a d o f T h u r s d a y s a s h s s h e r e t o f o r e L e a n t h a c u s t o m o f t h is p l a y h o u s e . T h e B e r k e l e y T h e g t r s , o n ! f i f t y - s e c o nd N t r w e i . w i l l o p e n o n r s b r u a r y « w i th " M y r t l e . " a n e w p l a y b y W i l l i s M a x w e ll " h u e , u n d r t h e d l r e o t l o a of O l i v e r M o r - e e c o . MUSIC "Coq d*Qf to Be Revived at the Metropolitan Monday Night With GattiCvrfii...

...Not that the simple Josn is aware of this...

...At the Knickerbocker Theatre, Henry W. Savage will offer the dancing musical comedy, "LOLLIPOP," by /«-ida .Sears, with music by Vincent Youmans...

...The featured player will be AdaMay, who as Ada Mae Weeks won favor as a dancing comedienne in "The O'Brien Girl" and "Listen Lester...

...Shaw finds in her t h e awakening of the social consciousness, the symbol of the great movement toward individual freedom...

...The captain is afraid of harm's coming to the girl, because her father—though not a gentleman —is not a serf, and can begin to make trouble...

...But the chief tragedy of the play I —and of life—lies deeper than these surface sores...

...Happy is he who h s s done no evil...

...RIVOLI—"The Humming Bird" with Gloria Swanson...

...It, refers merely to His wanderings on this earth...

...1 Fear and guilt have their home together...

...Presented by Mack Sennett COSMOPOLITAN—"The Great White Way...

...This edition has much new material contributed by John Erslclne, professor of English at Columbia, It is a etory of English literature-starting with the beginning* eaifWag English literary hisitory to the time of Tennyson...

...Liberty and the Workers...

...But those whose birth hsd given them better training than .loan's are aware of the meaning of it all...

...B a l l y . I r a n * a n d M a r y . ' * o n a o f t h a b l g - ff»at m u s i c a l c o m e d y h i t s o n B r o a d w a y l a et a e a e o n . w i l l b e p r e s e n t e d b y M e s e r s . B h u tan, w i t h t e a o r i g i n a l c a s t a n d p r o d u c t i o n , at t h t i t r o n x O p e r a H c a t i t o n J a n u a r y 3 1 . w i t h tho u i u e . 1 W e d n e s d a y a n d S a t u r d a y m a t i n e e * . E d d i e D o w U n a * a n d L o u i s a B r o w n an f e a t u r e d p l a y e r s ; o t h e r s i n c l u d e M a r g u e r i t e Z e h d t r , K a t h a r i n e M u l q u e e n , J o a l e I n t r e p i d ! , M a u d e O d e l l , C l a r a P a l m e r , G e o r g e ElaI n g , H e r b e r t I l o e y , B u r f o r d H a m p d e n , F r a n k C o n n o r , D . J . B u l l l v a n , H e n r i e t t a B y r o n . L o l a A r n o l d a n d O r a c a S t a d l f o r d . " C a t a n d C a u t e r y , " g r e a t e a t o f a l l m y s t e r y p l a y s , w i l l b e t b s f o l l o w i n g a t t r a c t i o n. Notes A c o n s u l t a t i o n b e t w e e n I . u l g l P i r a n d e l l o, t h a I t a l i a n a u t h o r , a n d B r o c k P e m b e r t o n, p r o d u c e r o f h i * p l a y a , e n d e d I n a d e c l a l o n t o c h a n g e t h e t i t l e o f " H e n r y I V " t o " T h e L i v i n g " M a s k , " r e t a i n i n g t h e n a m e u n d er w h i c h t h e p l a y h a a b e e n a c t e d t h r o u g h o ut E u r o p e , m e r e l y a a a a u b - t l t l e. T h e c h a n g e w a a d e c i d e d u p o n w h e n U b e c a m e i n c r e a s i n g l y a p p a r e n t t h a t a g r e at m a n y p e o p l e p e r e l a t e d i n - t h e d e l u a l o n t h at t h e P i r a n d e l l o p l a y w a a b y S h a k e s p e a r e , a n d I n t h e f u r t h e r m i s t a k e t h a t I t l a a n h i s t o r i c a l d r a m a I n s t e a d o f t b e m o d e r n c o m e dy I t I s . -, M a u r i c e S c h w a r t z , d i r e c t o r o f t h e Y i d d i s h A r t T h e a t r e , I s o f f e r i n g a r e v i v a l o f A b r a h a m G o l d f a d d e n ' g c o m e d y , " T w o K u n n e l e m m e l a , " o n F r i d a y n i g h t , J a n u a r y 2 6 . I t w i l l b e c o n t i n u e d S a t u r d a y . a n d S u n d a y , m a t i n e e a n d e v e n i n g . V i o l e t F l e m i n g , w h o l i a p p e a r i n g a t t h e K l t l n g e T h e a t r e I n " S p r i n g C l e a n i n g . " w i ll b e s e e n I n a a k e t c h c a l l e d " P l a y m a t e s , " a t t h e A c t o r ' s F u n d B e n e f i t t o b e g i v e n a t J o l a o n ' s T h e a t r e t h e J t t h . T h e s k e t c h I s b y O U o K r m t r r w h o w i l l , . a p p e a r i n I t w i th M i n e H o m i n g , P a t r i c i a C o l l l n g e a n d O r a n t M i t c h e l l . T h e n e x t p r o d u c t i o n o f t h e E q u i t y P l a y c rn a t t h e 4 1 t h S t r e e t T h e a t r e w i l t b e a d r a m a b y a b b y M e r c h a n t . In f o u r a c t a , e n t i t l e d, " T H E N E W E N O L A N D a S R . " It w i l l be p r o d u c e d s o m e t i m e J u F e b r u a r y . " T h e W o n d e r f u l V i s i t , " a p l a y b y flt...

...We keep the blood for ourselves and leave you the water—with the coloring...

...and Wed...

...Presented by the producer of "The Gingham Girl," "SWEET LITTLE DEVIL" is a musical comedy in three acts with the book by Frank Mandel, and Laurence Schwab, music by George Gershwin, and lyrics by B. G. De-Sylva...

...Only the broken priest sobs: "If you could really see the things you think about, you would not think about them as you do...

...JOSEPH T. SHIPLEY...

...This society, these spoiled, enervated "blue-blooded" beings, are dominated by a brawny cook who cries: "You take the sap out of us, and we out of you...

...R j i u s k y - K o r s a k o f f « f a n t a e t i c o p e m - p a n - tno mpj n^m Uw hni c h w i l l b e r e s t o r e d t o t h e M' e t - O p e n * , r e p e r t o i r e b y O e o e r a J M a n a g e r G « t t l ( ' i i K * i « M o n d a y n i g h t h a s n o t b e e n g i v e n h e r e f o r t h r e e s e a a o a a . ' M m e i O a i J l - C u r c i ( o r t h a f i r s t t i m e w i l l s i n g \bm 1 m u s i c o f t h e Q u e a n w h o m M i s s R o s l n a G a t It w i l l i m p e r s o n a t e i n t h a p a n t o m i m e M r . I X d u r Will s i n g K i n g D o d o p m i m e d b y M r . K o a l o f f . O t h e r s i n g e r s w i l l b e M m * . A l c o ck n n d R o b e r t s o n a n d M e s s r s I > l a z , R * s c h l l i a n, I > ' A n g e l o a n d A u d i o l o . T h e o t h e r m i m e s w i ll b e M i s s R u d o l p h a n d M e s s r s . B a r t l k a n d B o n f l g l l q . T h e w o r k h a s b e e n r e s t u d l e d m u s i c a l ly u n d e r M r . H a i n b o e c h e k w h o w i l l c o n d u c t t h e p e r f o r m a n c e . M i s s O a l U h a s p r e p a r e d a n d r e h e a r s e d t h e c h e r o g r a p b l c aide o f t o e p r o d u c t i o n , W i l l y P o g a n y ' s c o l o r f u l s o e n e ry w i l l b e usv-d " L e C o g <TOr'' w i l l b o p r e c e d e d b y " C a v a l - l e r l a R w t i c a j a a " s u n g b y M i n e s . G a s t o n, P e r l n l « n « l W a k e f i e l d a n d M e s s r s . C h a m l a* a n d P i c o o M r M o r e n s o n l w i l l c o n d u c t. O t h e r « r > e r a a t h i s w e e k , t h a t w e l f t h o f t h e s e a s o n , w i l l b e : " F e d o r a " o n W e d n e s d a y e v e n i n g w i th M m e s . J e r l t a a , M a r i o , I'm l o s s y a n d A l o o c k a n d M e s s r s . M a r t i n e l l i . S c o t t l , 1 •' A n g e l o . P l o c h l , A n a n l a n , P t c e o , B a d s , P a l t r t n l e r l a n d A u d U i o . M r . P g p f c o n d u c t i n g. • • M a n e " a s m a t i n e e o n . T h u r s d a y w i th M m e s . A I d a a n d H o v e r d a n d M e s s r s . G l g l i. L M d i i r . M a i e t e e t a , D ' A n g s l o a n d R e s c h l l t a n . M r . P g p l w i l l c o n d u c t. " T r a v l a t a ' * o n T h u r s d a y e v e n i n g w i th M m e s . O a J i l - C u r c l , B g e n e r a n d A n t h o n y a n d i M e s s r s . > C h a n , i e e , D e U i c a , T l b b e t t . P l o c h l , I U a d a a n d P l o p o . M i s s O f t l l l a n d M r . . B o n - 1 flglio w i l l d a n c e . M r . M o r a m o n l w l l r c o n - d u e t . ' t " D i e W a l k u e n ? " o n F r i d a y e v e n i n g w i th M m t i R e i n h a r t , M a u o n u u « r , O w - g l n , H o e se l o r . T i f f a n y . R o b e r t B O H . H o w a r d , W a k e t l o l d, P e r l n l , T e l v a a n d D e l & u u l s a n d M e s s r s . l - a u b e j i t h a j , W b i t e h i U , B e n d e r . M r . U o d a n - « k y j A n d s f c l i u f. " T h a i s " w i l l b e t h a S a t u r d a y m a t i n ee o p e r a w i t h M m e s J e r t t s a . A l c o c k , G u i l f o rd e n d K g o a e r a n d M e s s r s . T o k a t y a n . I > a n t a e. D ' A n g e l o a n d R e s c h l l t a n . Mlae G a i H a n d M r . B o n f u r l l o w | l l d a n c e a n d M r H a a s e l - m a n e w i l l c o n d u c t. i ' a r m o i t w i l l b e g i v e n o n S a t u r d a y n i g ht f o r t h e b v i i e i l t o f t h e F r e n c h H o s p i t a l w i th M m e a . E t a e t o n , B a b a n l e v a , A n t h o n y a n d T e l v a a n d M e s s r s . M a r t i n e l l i . M a r d o n c a . R o t hi o r , T i b b e l t a n d A n a n l a n . M l a a G a i n a n d M r * B o n f b j l t o ' w i l l d a n c e a n d M r . H a u * e l m a o s w i l l c o n d u c t. A G r a n d O p e r a t i c C o n c e r t w i l l b a g i v en S u n d a y n i g h t u n d e r t h e d i r e c t i o n o f M a n s l r o G l u l i o H e m T h e p r o g r a m m e w i l l I n c l u de t h e f i r s t a c t ; o f " S a m s o n e t D a l l l a " w i th M m e a . M a t x e n a u e r a n d M e s s r s . K l n g * t o n, M a r d o n e a , D V A n g e l o , B a d f t , A u d l s l o , it K C h i l i a n a n d ' A n a n l a n ; t h e f i r s t a c t o f " C a r m e n " W i t h M m e s . G o r d o n a n d A n t h o n y a n d M e s s r s . H a r r o l d , P i c e o a n d W o l f ; t h o e . j c o o il a o t f r o m " 1 1 T r o v a t o r e " w i t h M m e a . P e r a l - t a . M a t g e n a i f e r a n d H g e n e r a n d M e s s r s . K i n g s t o n , P l o c o , B o a , R e s c h U l a n a n d A n a n l a n . T h a e n t i r e o p e r a c h o r u s a n d o r c h e s t r a w i ll t a k e p a r t . '<*" NEW YORK SYMPHONY W a l t e r D a m r o s c h w i l l r e s u m e t h e B e e t h o v e n C y c l e w i t h t h e p a i r o f c o n c e r t s o f t h e - N e w Y o r k S y m p h o n y O r c h e s t r a i n C a r n e g i e H a l l . T h u r s d a y a f t e r n o o n a n d F r i d a y e v e n i n g . J a n u a r y ) 2 4 a n d 3 5 — I t b e i n g t h e l u s t p a i r b u t - o n e I n t h e B e e t h o v e n a e r i e s. J o h n B a r c l a y , b a r i t o n e , w i l l b< t h e a s s i s t i n g a r t i s t a n d t h e p r o g r a m p l a n n e d b y M r D a m r o s c h w i l l h a v o t o e * K i n g S t e p h en O v e r t u r e , L c u p o r o O v e r t u r e , N o . 3 , a n d f o r t h e p a r t i c u l a r . S y m p h o n y N o . ft I n F , W j l i l u g t o n ' s V i c t o r y o r t h e B a t t l e o f V l t t o r t a. S c o t c h F o l k s o n g s f o r v o i c e , v i o l i n , v i o l o n c e l l o a n d ' p i a n o I n c l u d i n g S u n s e t , S w e e t W e re t h e H o u r s a n d B o n n i e L a d d i e H i g h l a n d L a d d i e w i l l b o p e r f o r m e d b y M r . ' B a r c l a y , G u s - tja-va T t n l o t , L u e i e n ' t v l r s c l i a n d M r . D a m r o s c h , a n d M r . B a r c l a y w i l l a l s o b o h e a rd I n t h o S o n g o f t h e F l e a a n d T h o K i s s . T h e N e w Y o i k S y m p h o n y O r c h e s t r a w i ll b e h e a r d I n W a l t e r D a m r o s c h * f o u r t h S y m - u f t u n v C o n t H f t f o r Y o u n g P e o p l e i n C a r - "WWFffall, S a t u r d a y a f t e r n o o n , J a n u a r y 2...

...But wild and difficult as much of the play is, Strindberg has a very definite message that he definitely puts across: . "Must man forever reap what he planted...

...just as, after the Great War, a similar revulsion brought some moments of honest statements from politicians and revealed the rottenness of things...

...The title rtle will be played by Walter Huston, and the cast includes Antoinette Perry, Minna Gombell, Ethel Wright, Minthe Thirty-ninth Street Theatre...

...Stewart has made numerous vaudeville productions...

...the people throughout France are inflamed with equal enthusissm to canonize or to burn...

...The student sees that the basis of society is respectable silence, but he has found also that "to keep silent too long is like letting water stagnate till it rots...

...RIALTO — Z a n e Grey's "The Heritage of the Desert...

...TUESDAY A n n a Lambert Stewart will present "THE GIFT," the new play by Julia Chandler and Alefhea Luce, at the Greenwich Village Theatre, with Doris Kenyon and Pedro de Cordoba in the two leading roles...

...THE NEW PLAYS MONDAY Brock Pemberton will present Pirandello's "THE LIVING MASK," at the Forty-fourth Street Theatre with Arnold Korff, Ernita Lasesllee, Thomas Chalmers...

...The priest sees in her the end.of the power of the church ss dictator over men's minds...

...This is the tragedy, and the symbol of Saint Joan, as one of the keenest, most honest minds of today sees her...

...To the lords she holds up the virtue of the countryman, the backson* "f the land: "If we were as simple in our village as you are in your court, you would soon be without wheat for your bread...

...Society is as well aware as this student that it would eollspse if every one were frsnk...

...M l a c h a L e v i U k l , w i l l g i v e h i s l a s t r e c i t al o f t h e s e a s o n a t C a r n e g i e H a l l o n S a t u r d a y a f t e r n o o n J a n u a r y 1 9 t h , p l a y i n g a n a l l - C h o p i n p r o g r a m. T h e m u a l c f o r t h e t o n e p o e m w h i c h rui.c t h r o u g h " T h e G i f t , " t h e n o w p l a y b y J u l i a C h a n d l e r a n d A l e t h c a L u c e w h i c h A n na L a m b e r t , S t e w a r t w i l l s h o w N e w Y o r k next T u e s d a y n i g h t a t t h e G r e e n w i c h V i l l a ge T h e a t r e , I s t h e c o m p o s i t i o n o f A n n a L a m b e r t S t e w a r t , w h o I s a c o m p o s e r o f c o n s i d e r a b le d i s t i n c t i o n . ( E d i t h M a s o n w i l l g K e n. s o n g r e c i t a l a l C a r n e g i e M a l l , T u e s d a y a f t e r n o o n. v T c d n o a l a y e v e n i n g al A e o l i a n H a l l a r e c i t a l o f p o n g s w i t h ' a i r i n g q u a r t e t a c c o m p a n i m e n t w i l l be g i v e n b y K t h e l G r u u' w i t h t h e N e w Y o r k H i r i n g Q u a r t e t. E n r t a i . a r o » w i l l g i v e h i a s e c o n d p i a no r e c i t a l I n M e w Y o r k S u n d a y n i g h t , J a n u a ry J V i i i , I n A e o l i a n H a l l , h l a l l r a t o n e h a v i n g b e e n h e a r d l a a t s p r i n g , w h e n t w o o f h la o w n c o m p o s i t i o n s , a U a v o t t o a n d , a P r e l u d e , w e r e w e l l r e c e i v e d. K a t h e r l n e r t a c o n l a g i v i n g h e r s a c o n d a n d l a a l p i a n o r e c i t a l t h i a a e a a o n T u e a d a y n i g h t, a t A e o l i a n H a l l. G e o r g e s E n e j i c o w l l l ^ g l v e h l a v i o l i n r e - o l t a l a t A e o l i a n H a l l , ' S a t u r d a y a f t e r n o o n, J a n u a r y 1 9 . , l l u K l K x . i i w i l l g i v e h l i n e x t r e c i t a l a t A e o l i a n H a l l S a t u r d a y a f t e r n o o n , J a n u u ry 211...

...There is, she sees, no hope In lord or priest, who would aim to divert her from the king...

...her simple honesty scents out the wolves at court She sees not only their greed at home'but their lust abroad...

...She knows only her voices, telling her she must go on—voices which she can attribute only to her saints, but which every sincere man hears tod...

...Sammy Lee staged the musical numbers...

...Buster Keaton in "Our Hospitality," Thurs...

...Joan saw the coming of such world wars when she cried in anguish: "Must I be burned anew in every generation...

...She is the symbol of the common people coming to their senses...

...Who 1s lnsane...

...When one goes into another's land to conquer it, the devil enters with him...

...her heresy is greatest when she says: "What judgment have I to judge to save my own 7" So they burn the Maid...

...so he turns in disgust, lost in his ssarch for beauty, honor, faith...

...CAMEO—Jane Novak in "The Lullaby...

...CAPITOL -r- "Under the Red Robe"—Stanley J. Weyman's thrilling story...

...This is Miss Gale's first play The New Pictures BROADWAY — "Through • the Dork," Cliff Neierro end hi» orchestra...

...Victor Herbert «nd his orchestra...

...A new pietutization based on recent research...

...Therefore, many critics of The Spook Sonata (presented for the first time anywhere in English by the daringly successful Provincetown Plsyers) suggest that the author himself wrote it in a spasm of inssnlty...

...Meanwhile the Maid has seen through both lord and priest...

...3, D e b u i n y . " i n t h e a f r e e t a a n d b y t h e w a y s i d e " " T h e f r a g r a n c e o f t h e n i g h t " ' " T h e m o r n i n g o f t h e f e t e d a y /* O v e r t u r e T a n n h a u a e r , W a g n e r . ? , . . . MUSIC NOTES L o w i a R i c h a r d s ^ a n A m e r i c a n h a r p s i c h o r d - t a t o f E u r o p e a n r e p u t a t i o n , w i l l m a k e h i a N e w Y o r k d e b u t a t A e o l i a n H a l l o n T u e a d a y a f t e r n o o n . H e w i l l h a v e t h e a a a i a t a n c o o f G e o r g e B a r r e r e , flautlat...

...My father," u y i the student in The Spook Sonets, "was well-to-do, ' and naturally, surrounded by | friend...

...i Wrong that was wrought in moments of snger i Never by added wrong can be righted...

...He tod h a s been mad enough to tell the truth...

...STRAND—"The Eternal City," Hall Caine'a dramatic story...

...M. n . I . i n , , t i n . S c h u m a n n , a n d C h o p i n w i ll b e r e p r e a e i i t e d I n h l a p r o g r a m . S a m u e l D u a h k l n , v l o l l n l a l , h a a e e l o c t c r l f o r h l a f i r s t r e c i t a l a p p e a r a n c e I n A e o l i a n H a l l. S u n d a y a f t e r n o o n , J a n u a r y 2 0 , t h o f o l l o w i n g p r o g r a m : T a r t l n l ' a S o n a t a I n a m i n o r. H o t t a t a In K f o r v i o l i n a l o n e b y b r e a m a b y W a g n e r - A u e r , H o n d o b y M o x a i t. C a p r i c e N o . 2 0 b y P a g n n l n l - K r e l a l c r a n d W l e n l a w a k t ' a L e C a m a v a l c B u t f s e. O n J a n n u i - y 3 1 , E v o l l o n o T a g l l o n e will p l a y H i r e * c o n c e r t o s w H h « » p l a y i r s f r om t h e , s t a t e S y m p h o n y O r c h e s t r a , J o s e f S t r a n a k y , C o n d u c t u r , a t A s o l l a n H a l l. E m e a t o B e r u m e n w i l l a h a h l a flrat a i m - i n g a n n u a l r e u l l . 1 at...

...CENTRAL—Mabel Normsnd in "The Extra Girl...

...Stuart Bailey, Rex K. Benware, Ralph Maebane and Arthur Bowyer...

...The ford sees in her the beginning of his end, the widening of vision away from the local feudal lord to nationalism, the first step on the w a y toward internationalism...

...Joan's death awakes a few to realize the evil of their life...

...LYRIC—Lillian Gish in "The White Sister...

...LOEW'S PALACE <B'lyn) — ZBne Grey's "The Call of the Canyon," Mon., Tues...

...w i t h P a b l o C a s a l s , t h e ' c e l l i s t a s t h a s o l o i st a n d a p r o g r a m I n c l u d i n g t h e G l a t o u n o w ' s . S y m p h o n y N o . I I n B flat, t h e C o n c e r t o in B , flat f o r V l o l l n c e l l o b y H o a c h e r l n l . a n d t he W a t t s , B e E m b r a c e d O h Y e M i l l i o n s , a n d t h e P o l k a , T h u n d e r a n d L i g h t n i n g , b o t h b y J o h a n n S t r a u s s. STATE SYMPHONY J o s e f - S t r a n a k y w i l l p l a y T s c h a l k o a * k > 's S y m p h o n y " P a t h e t l q u e " ' I t t h e . t h i r d W e d n e s d a y e v e n i n g s u b s c r i p t i o n c o n c e r t o f t he S t a t e S y m p h o n y O r c h e s t r a t o b e h e l d o n J a n u a r y 2 3 r d a t C a r n e g i e H a l l . M l t j a M - k l s c t r w i l l b e t h e s o l o i s t a n d w i l l ' - p l ay B e e t h o v e n ' s E m p e r o r P i a n o C o n c e r t o . T h o p r o g r a m w i l l o p e n w i t h B r a h m s ' A k a d e m - i B O h e O v e r t u r e . A t t h e t h i r d S u n d a y a f t e r n o o n s u b s c r i p t i on c o n c e r t o n J a n u a r y 2 T t h a t t h o M e t r o p o l i t a n O p e r a H o u s e . P e r c y G r a i n g e r w i l l p l ay G r i e g ' s P i a n o C o n c e r t o , a n d t h e S t a t e S y m p h o n y O r c h e s t r a w i l l r e n d e r R l m s k y - K o r s a k o f f ' s , p i c t u r e s q u e S y m p h o n i c S u i t e " S h e - h a r a u a d a , " a n d e x c e r p t s f r o m W a g n e r ' s . R i ng a r r a n g e d b y J o s e f S t r a n a k y. CLEVELAND ORCHESTRA O n T u e s d a y n i g h t a t C a r n e g i e H a l l , t h a C l e v e l a n d O r o b c i t r a , N i k o l a i S o k o l o f r cond u c t i n g , ' w i l l p r e s e n t t h e f a l l o w i n g p r o g r a m: O v e r t u r e , " T h e R o m a n C a r n i v a l : " O p . V, U e r l l o s . S y m p h o n y N o . 2 B F l a t M a j o r , O n . 5 7 , d ' l o d y . ,--,..< K a n t a a j a o n a T h e m e b y T h o m a s T a l l i e, I t . V a u g h n W i l l i a m s , t o r D o u b l e S t r i n g e d o r c h e s t r a . " I b e r i a , " I m a g e s p o u r O r c h e a t n i, •No...

...Proc e s s o r E r s k i n e'n supplementary ' chapter covers briefly from 1892 to I :>?il...

...Only in my own imagination 1 They say that Jesus Christ descended into hell...

...How long...

...While Mrs...

...Brock Pembertonwill present Zona Gale's "MISTER PITT," at the ThirtflSHlath Street Theatre...

...to Sunday inclusive...

...This is Miss Ada-May's first singing, dancing and acting role...

...One | day when he was rather tjred, hs could no longer endure the politeness of conventionality...

...J. T. S "Sally, Irene and Mary" at Bronx Opera House Next Week...

...In a p r o g r a m c o m p r i s i n g a H a n * ! - I a n d a B a c h S o n a t a f o r h a r p s i c h o r d a n d flute, t w o g r o u p s f o r h a r p s i c h o r d a n d a g r o u p f o r t h e flute...

...Other Keith vaudeville...

...Edgar MacGregor staged the book and Lee Simonson designed the production and costumes...

...ON THE BOOK SHELF By RYAN WALKER Macmillan's have recently issued in four volume), "English Literature," by Richard Garnett and Edmund Gosse...

...Deepest of all, Joan herself, the people rising to assert themselves, lack an understanding of the true goal...

...She sees the immediate evil, and looks beyond it to hope for a greater good, and she finds—the king, another product of the same system, who, after he has drained her'of all value to himself, wishes she would "keep quiet or go home...

...CRITERION —• "The Covered GAIETY—"Abraham Lincoln...

...COHAN—"The Ten Commandments...

...We lack the imagination thai/would put us in the other fellow's place, that wonld unite us in common brotherhood against s common foe...

...And within a century feudalism has died, with the indisputed power of the lords over men's bodies...

...Her last words are a pleading, "How long...

...But he was keen, and saw I through all of them, saw their hypocrisies and their self-interest...

...This is Miss Gale's first play since "Mm Lulu Bett," which won the 1921 Pulitzer Prize...

...Writer* have pictured Joan of Are as (inner or a* aaint, the rapt recipient of blessed visions or the harlot hanger-on of camps...

...Directed by Cecil B. De Mille...

...And her common sense snd directness of purpose lesd her to the success she desires, while all the devices of running snd self-concern fail...

...In her own group there is no recognition of common interest, no genuine sympathy...

...But even the people about her do not understand Joan...

...Then he told them all to go to hell...

...It's the color that counts...

...The Astor Theatre will reopen as a legitimate theatre when Laurence Schwab brings his new musical comedy "SWEET LITTLE DEVIL," with Constance Binney for its New York premiere...

...It lies first in the fact that the world is not ready for honesty and simple faith...

...Conflicting interests, scheming to crush one another, unite t o destroy their common foe, this Maid who embodies the recognitipn of their selfish purposes, the awakening of social consciousness...