All the Pretty Horses:
Malin, Irving
A SENSE OF INCARNATION ALL THE PRETTY HORSES Cormac McCarthy Alfred A. Knopf, $21, 302 pp. Irving Malin ormac McCarthy is one of our best—if least known— writers. In this, his fourth novel,...
...the search for redemption...
...After a while he pulled his hat down over his eyes and stood and placed his hands outstretched on the roof of the cab and rode in that manner...
...He thought that in the beauty of the world were hid a secret...
...the meaning of our brutal existence...
...his exit is described in poetic terms...
...The plot involves various adventures, misfortunes, coincidences...
...There are echoes of a religious quest, a trip to discover the Holy Grail...
...These examples are visionary, mystical, ghostly...
...On one level the novel resembles the traditional initiation we find in Huckleberry Finn or, for that matter, in Faulkner's The Reivers...
...He said that it could be seen under certain circumstances attending the death of a horse because the horse shares a common soul and its separate life only forms it out of all horses and makes it mortal...
...But on a second (and deeper) level it is an occult narrative of the ultimate meanings—if there are any—of these adventures...
...As if he were some personage bearing news for the countryside...
...it is our kind of adolescent picaresque...
...They suggest that there is another world which somehow influences ours...
...In this, his fourth novel, he uses the archetypal journey to discuss important spiritual themes...
...It is, for the most part, merely an excuse to look for epistemological answers...
...Cole leaves Mexico...
...McCarthy's imagery is, perhaps, more important than his characterization...
...McCarthy's language ranges from the laconic conversations of the three adolescents—even these conversations seem to hold ambiguous "presences"—to the almost biblical cadences of the following passage...
...I quote at random: "it was like looking through something and seeing its heart...
...Although his latest novel deals with the relatively simple characters of three adolescents—Cole, Rawlins, Blevins—who light out for the unknown territory of Mexico to find their mixed fortunes—the year is 1949—he is less interested in their characterizations than in their spiritual recognitions...
...I assume that this brilliant novel will force readers to view McCarthy as an original stylist, as one of the best contemporary writers...
...It will, without doubt, disturb us by its violent juxtapositions of beauty and blood, "prettiness" and terror...
...He is primarily interested in the origins of evil...
...The novel seems particularly "American" because of its underlying structure...
...He thought the world's pain and its beauty moved in a relationship of diverging equity and that in this headlong deficit the blood of multitudes might ultimately be exacted for the vision of a single flower...
...25 SeptemberJ 992: 29...
...The imagery is one of hovering presences, secret omens, perverse signs...
...It will, indeed, assume its place as an example of the great religious novels written by any American...
...He said that if a person understood the soul of a horse then he would understand all horses that ever were...
...As if he were some newfound evangelical being conveyed down out of the mountains...
...Another passage on the nature of earth-bound horses: "Lastly he said that he had seen the soul of horses and it was a terrible thing to see...
...They, indeed, offer a sense of incarnation...
...It is, of course, difficult to separate the two...
Vol. 119 • September 1992 • No. 16
