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The Commonweal week by week THE WALL IS COLOR I N this issue Eileen Fantino tries to break through a wall--the wall that separates life in East Harlem from the experience of most Americans....
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The Children of Poverty THEY LIVE IN A WORLD WHERE SLOWLY AND INEVITABLY ESCAPE BECOMES THE MOTIVATION OF LIFE EILEEN FANTINO w ALKING through East Harlem ghettos you're swallowed up by the...
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THE LESSON OF JUNE 17 Unrest Behind the Curtain NORBERT MUHLEN I N the last months, reports of growing unrest and of increasingly active resistance against the Communist government have come...
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JOY AND LONELINESS The View from a Train H OW many times has the train come into a little forlorn station to stop for the people whose bleak faces we see fleetingly out of our window, and...
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HERE AND THERE IF YOU WERE THEY H OW hard it is to accept people while still rejecting their ideas! And yet, I suppose that is a central duty of Christian charity and the essence of social...
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THE STAGE OUR AMERICAN COUSIN “I-NHERIT the Wind," the fictional gloss which | the Messrs. Jerome Lawrence and Robert E. _ t Lee have imposed on the celebrated 'monkey trial' of the American...
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THE SCREEN "TEN CENTS A DANCE" I 'M not sure that Producer Joe Pasternak and Director Charles Vidor realized what a bittersweet musical they were making in "Love Me or Leave Me." But in any...
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COMMUNICATIONS "ITALIAN MOVIE CODE" Los Angeles, Calif. T O the Editors: So I'm "devoted to movie censorship" [May 20]! That's funny. It's also false. Of course, you didn't bother making...
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BOOKS The Bravery and Insight of Georges Bernanos THE LAST ESSAYS OF GEORGES BERNANOS. Translated by Joan and Barry Ulanov. Regnery. $4.50. By GEORGE N. SHUSTER T HE addresses which have...
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1920s
1950
Vol. 062 Issue 009 (June 3 1955)
Week by Week
