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THE Commonweal week by week THE CRITICS AND THE GUARDIANS THE history of the motion picture is, in microcosm, the history of many of the twentieth century's most vexing cultural problems,...
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Catholics and Hollywood "THE POWER WHICH CATHOLIC SPOKESMEN HAVE COME TO WIELD OVER THE MOTION PICTURE HELPED MAKE THE MOTION PICTURE EVEN MORE COMMONPLACE THAN IT NEED HAVE ...
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The State of the Movies A SCREENWRITER, THE HEAD OF A STUDIO, AND A PROFESSIONAL CRITIC DISCUSS THE FILM INDUSTRY'S "MAJOR OBSTACLES." 15 DECENCY ENOUGH? EMMET LAVERY SOME three...
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BETTER THAN EVER DORE SCHARY TO begin with, it seems odd that a medium which has brought to audiences of the world so many classic books and has created so many classics of its own as has the...
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BLAME THE AUDIENCE MANNY FARBER WHILE Hollywood, after all, still makes the best motion films, its 1952 products make me want to give Los Angeles back to the Conquistadores. Bad films have...
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FROM ENGLAND The Problem of Ownership THE clock has been set back seven years as if Korea and the dollar gap had never been. Over here we are back in 1945, with nationalization in the center...
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THE STAGE THE NATIONAL THEATRE Of GREECE AN embarrassment of riches brought us the National Theatre of Greece within a short space of LM. Jean-Louis Barrault's spectacular advent. The Greek...
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BOOKS The Claudel-Gide Correspondence MARTIN TURNELL AMONG the distinguished writers who used to attend Mallarme's Tuesday receptions in the Rue de Rome during the last decade of...
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Lost Confidence THE DRINKER. By Hans Fallada. Didior. $3.50. By EDWIN KENNEBECK THIS is a bare, harsh study of a man's retreat from reality. One of the story's special virtues is...
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1920s
1950
Vol. 057 Issue 009 (December 5 1952)
Week by Week
