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Jr, A Poulin
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Jr, A V Krebs
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JR, ANDREW B. McCOSKER
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Jr, C J Balliett
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Jr, C K Yearley
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Jr, Carl Ballictt
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Jr, Charles Donahue
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Jr, Colin L Westerbeck
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Screen:
(December 1983)
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Screen THE RIGHT SUBJECT JET JOCKEYS, SPACE ACES IN THE BRITISH film Breaking the Sound Barrier, made in the 50's, the big revelation comes when somebody gets the idea that as you approach the...
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Screen:
(December 1983)
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Screen OLD GLORY CARRIED AWAY IN SPACE I ONCE spent an evening with one of the original astronauts, Scott Carpenter. He warned me right away that he wasn't too thrilling a conversationalist, and...
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Screen:
(November 1983)
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Screen COLD COMFORT FROM 'BODY HEAT' TO 'BIG CHILL' SHORTLY BEFORE I saw The Big Chill, I felt it. I returned from a trip to find a message on my answering machine that a friend from college had...
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Screen:
(November 1983)
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Screen TOO FAR GONE ROBERT BRESSON & ALAIN TANNER TWO NEW FILMS by old masters at the New York Film Festival seemed to me to suffer the same fate. Neither was able to go the distance, or rather,...
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Screen:
(October 1983)
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Screen FROM 'K' TO 'Z' COSTA-GAVRAS, POLITICS, & EMOTION IN HANNA K., Costa-Gavras is out of his depth. Perhaps he shouldn't feel bad, though, since the rest of us are too. Instead of dealing...
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Screen:
(October 1983)
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Screen MISBEGOTTEN NOON THE WORST YET FILMNOIR is becoming the bete noire of the movie industry. Actually, this kind of film, the atmospheric thrillers that began being made here in the 1940s,...
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Screen:
(September 1983)
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Screen THE INVISIBLE NAN YOU ARE WHAT YOU MEET A DIFFERENCE between Charlie Chaplin and Buster Keaton is that only the latter makes you burst out laughing. Dwight MacDonald pointed this out years...
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Screen:
(August 1983)
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Screen ON THE BEACH THE SUMMER SCHEDULE LIKE THE KIDS in it, War Games peaks early. It never lives up to the promise of some opening scenes. In them, an unassuming kid named Dave (Matthew...
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Screen:
(July 1983)
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Screen MAD DOGS & ENGLISHMEN 'BETRAYAL' & 'PSYCHO II' THERE'S NO LONGER any glamour in falling in love. We all know that that's an illusion. The only romance today is in getting a divorce, as the...
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Screen:
(June 1983)
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Screen SECOND WIND A TRUE ORIGINAL SINCE JEAN-LUC Godard's Breathless came out over two decades ago, I don't think a year has gone by when I haven't seen it at least once. On occasion I have seen...
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Screen:
(June 1983)
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Screen SPLIT DECISIONS GYPSIES & COPTERS THE TITLE CHARACTER in Angelo My Love, which is Robert Duvall's first effort as a director, is a boy of ten or eleven who is a smooth talker, a sharp...
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Screen:
(May 1983)
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Screen BAD EXCUSES MOVIES FOR TEENAGERS A TEENAGE girl I know-she's fifteen, I think-saw an invitation to a preview of Bad Boys on my desk. "That's just the kind of movie I would hate," she said....
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Screen:
(April 1983)
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Screen UNSUNG HEROES ROBERT DUVALL IN TENDER MERCIES' IN 1963 ROBERT DUVALL made his first screen appearance in To Kill A Mockingbird, where he played the harmless idiot of whom the children were...
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Screen:
(March 1983)
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Screen NO CAUSE FOR ALARM THE HUMOR OF BELL FORSYTH PART WAY through Bill Forsyth's Local Hero, there's a scene that opens with a half dozen Scottish fishermen standing along a railing by the...
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Screen:
(March 1983)
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Screen PRESENT LAUGHTER ECCENTRIC BUT SMART COMEDY IS JUST looking at the world in an eccentric way, taking a peculiar point of view toward events that, seen from another angle, might be tragic...
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Screen:
(February 1983)
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Screen LITTLE BOY LOST HARD QUESTIONS, EASY ANSWERS STANLEY JAFFE'S Without a Trace made me mad, partly because it is, up to a point, a sensitive movie. It is based on the story of a little boy...
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Screen:
(January 1983)
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Screen WOMAN OF THE YEAR TOOT TOOT TOOTSIE WUENTOOTSIE was still in "development," the central character was going to be a tennis pro who couldn't win a championship until he entered a women's...
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Screen:
(January 1983)
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Screen GANDHI CLOAKED THE NAKED MAN WOULDN'T DO I ALWAYS GET nervous when someone traveling on a Columbia Pictures expense account tells me that a holy man changed his life. When Ben Kingsley...
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Screen:
(December 1982)
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Screen PLAYING GANDHI THE METHOD DIDN'T WORK RICHARD ATTENBOROUGH'S Gandhi begins and ends with Gandhi's assassination. The camera picks out the steely-eyed Hindu fanatic, whose name was Nathuram...
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Screen:
(August 1981)
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Screen SUMMER SOLDIERS SUPERMAN MEETS MR. JONES THE TWO SUMMER biggies, though doing about the same dollar volume at the box office, were not created equal in my opinion. Raiders of the Lost Ark...
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Screen
(July 1981)
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think about it) words--e.g., mass media, manipulation, suggestibility, selfdeception, pudenda, make-believe, trendiness--that are more to the point in talking about Chicago than hazy...
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Screen:
(June 1981)
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Screen OUT OF ORDER FIFTY MILLION FRENCHMEN ARE WRONG ANY TIME I begin thinking that movies are an international language, like music, all I have to do to disabuse myself of the idea is remember...
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Screen:
(March 1981)
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Screen PAR FOR THE CURSE JUMBLING THE MUMBO IN adapting Agatha Christie's The Mirror Crack'd to the screen, director Guy Hamilton and scriptwriters Jonathan Hales and Barry Sandier apparently...
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Screen:
(February 1981)
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Screen
FIRST, AND LAST
TO GAG OR NOT TO GAG
IN FIRST FAMILY, director-writer Buck Henry has hit on a formula that he could repeat every four years just like Theodore White with his Making of the...
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Screen:
(January 1981)
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Screen SCIENCE & SURFACE ALAIN RESNAIS'S LAST TAPE IN THE apartment of one of the characters in Alain Resnais's Mon Oncle a"Amerique, there is a picture of Samuel Beckett on the wall. Where...
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Screen:
(January 1981)
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Screen SHADOWBOXING A FIGHTER'S STANCE TOWARD LIFE The end of Martin Scorsese's Raging Bull is a continuation of the scene with which the film begins, one where the aging Jake La Motta (Robert De...
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THE SCREEN
(December 1975)
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INDIAN SUMMER
THE SCREEN
Satyajit Ray's Distant Thunder is about the 1942 rice famine in India which killed millions of people. Its horror was all the greater, too, because it was an unnecessary...
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THE SCREEN:
(December 1975)
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THE SCREEN
Where drama brings the pimple of life to a head, comedy pops it. The technique of the one is to concentrate our attention, the technique of the other is to dissipate it. Nowhere are these...
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THE SCREEN
(November 1975)
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CINEMA UNBECOMING THE SCREEN Conduct Unbecoming is a film about honor that is itself dishonest. It is a film in which collaboration between the filmmaker and playwright becomes a conspiracy...
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THE SCREEN
(November 1975)
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SKIN GAMES THE SCREEN The admonition, Smile, which serves as title for Michael Ritchie's new film, isn't really addressed to us (the film doesn't need to prompt us this way). It's addressed to the...
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THE SCREEN
(October 1975)
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HERO WORSHIP THE SCREEN The heroes of Sidney Lumet's Dog Day Afternoon and Sydney Pollack's The Three Days of the Condor are about as like as ... well, about as like as dogs and condors. Short,...
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THE SCREEN:
(August 1975)
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HEARD MELODIES
THE SCREEN
Early in Robert Altaian's Nashville there is a chain reaction freeway crash that is, except for an assassination at the end, the only time the film's twenty-four characters...
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THE SCREEN:
(July 1975)
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WOODEN ALLEN THE SCREEN In Woody Allen's Love and Death, as in Leo Tolstoy's War and Peace, the first thing you have to get straight is the plot. Woody's plot, luckily, is the easier one to...
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THE SCREEN:
(June 1975)
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GUMS THE SCREEN A shark is the ideal villain for an adventure story. He's readymade for the part. He couldn't be better if you got Jack Palance to play him. The reason is that a shark already has...
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THE SCREEN
(June 1975)
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MARY OLIVER STRIKE Now they can walk In the wintry air. The sky is an unfamiliar field, The sun a rare metal. It is something to see, daylight. But you cannot spend it Like a paycheck. At...
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THE SCREEN
(May 1975)
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THE INHERITOR THE SCREEN It seemed superfluous to review The Godfather, Part II when it opened at the end of last year. No one needed to be persuaded, or could have been dissuaded, about going to...
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THE SCREEN:
(May 1975)
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THE SCREEN FELLOW TRAVELER A scene that occurs midway through Michelangelo Antonioni's The Passenger is typical. David Locke (Jack Nicholson) has been reported dead while filming a documentary in...
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THE SCREEN:
(April 1975)
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FLOP HAT THE SCREEN Peter Bogdanovich's At Long Last Love is a movie with a slow leak. The night I saw it-a Saturday night at Radio City Music Hall-people kept trickling out in twos and threes...
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THE SCREEN:
(March 1975)
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THE MAGIC MOUNTAIN THE SCREEN When Vittorio De Sica died a few months ago, he had just released a last film which is remarkable because it could easily have been his first film. It has been a...
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THE SCREEN:
(March 1975)
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HARKENING TO ARKIN THE SCREEN Apparently the guy in the driver's seat gets top billing. In Freebie and the Bean it is James Caan who always drives the patrol car, so the character he plays comes...
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THE SCREEN
(February 1975)
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THE MONSTER MASH THE SCREEN The Frankenstein story, as we all know, is about a creature made up entirely of misappropriated and mismatched parts. That's pretty much the way Mel Brooks has made his...
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THE SCREEN:
(February 1975)
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DYING LAUGHING THE SCREEN Bob Fosse's new film Lenny leaves us no doubt that the life of comedian Lenny Bruce (Dustin Hoffman) was fated. The whole structure of Fosse's movie implies this, for the...
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THE SCREEN:
(January 1975)
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PORTRAIT OF A LADY A woman under the influence is bound to act crazy, and Mabel Longhetti (Gena Rowlands), the woman in John Cassavetes' new film called A Woman Under the Influence, does just that....
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THE SCREEN:
(January 1975)
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OLDIES GOOD AND BAD THE SCREEN The beginning of A Tale of Two Cities states the case perfectly: "It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of...
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THE SCREEN:
(March 1971)
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THE SCREEN On January, 1951, in Prague, Artur London was arrested by the State Security. The son of a Czech socialist, London had himself been a revolutionary since his early teens. He'd fought...
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THE SCREEN
(January 1971)
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OMEGA THE SCREEN Like the original angel of hell he described in "Sympathy for the Devil," Mick Jagger is a man of wealth and taste. He usually knows how to dress to suit the occasion. But he...
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THE SCREEN:
(October 1970)
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THE SCREEN Film dedications don't usually mean much. Although Francois Truffaut dedicated his last film, Mississippi Mermaid, to Renoir, the film itself remained as dedicated as ever to the same...
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Jr, Colin L, Westerbeck
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Jr, Colin L. Westerbeck
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Jr, Colin Westerbeck
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Jr, David R Carlin
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Jr, David R. Carlin
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Jr, E J Dionne
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Jr, E. J. Dionne
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Jr, Edward McGlynn Gaffney
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jr, Edward S. Skillin
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Jr, Edward Skillin
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jr, Ernest Brennecke
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Jr, Fred C Hobson
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Jr, Harmon Ashley
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Jr, John D Engle
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Jr, John D Hagen
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Jr, John G Deedy
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Jr, John J Mitchell
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Jr, John L Allen
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Jr, John Nixon
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Jr, Laurence J Sasso
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Jr, Nathan A Scott
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jr, Oliver McKee
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Jr, Ralph Whitehead
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Jr, Ramsdell Gurney
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Jr, Robert E Hosmer
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Jr, Vincent Wilson
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Jr, Walter H Clark
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jr, William C Murphy
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jr.
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Jr.", "C. J. Balliett
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Jr.", "Edward Skillin
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JR., A. V. KREBS
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JR., ALFRED APPEL
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JR., CHARLES DONAHUE
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JR., CHARLES J. ORLOSKI
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jr., Council Oliver McKee
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JR., DAVID R. CARLIN
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JR., DAVID R. CARLINI
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JR., EDWARD McGLYNN GAFFNEY
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jr., Edward S. Skillin
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jr., Edward Skillin
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jr., Edwin Skillin
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jr., Ernest Brennecke
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jr., Franklyn Waltman
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JR., GEORGE GALLUP
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jr., George Morgan
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jr., J. Nicholas Shriver
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jr., James W. Lane
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jr., James Warren Lane
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JR., JOHN B. COBB
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jr., John C. Cahalan
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jr., John C. Callahan
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JR., JOHN C. CORRIGAN
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JR., JOHN J. MITCHELL
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JR., JOHN J. SULLIVAN
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JR., JOSEPH A. L. ERRIGO
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JR., JOSEPH M. DUFFY
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jr., Martin Marwill
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jr., Oliver McKee
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jr., Peter B. de Sousa Pernes
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jr., R. M. Patterson
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JR., THEODORE M. AVERY
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JR., VINCENT WILSON
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jr., W. A. Scharper
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jr., W. C. Murphy
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JR., WALLINGTON M. S1MPSON
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JR., WALLINGTON M. SIMPSON
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JR., WALTER E. ARNOLD
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JR., WALTER H. CLARK
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jr., William C. Murphy
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JR., WINTHROP P. WILCOX
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