LetterA
LetterB
LetterC
LetterD
LetterE
LetterF
LetterG
RangeG - Gc
RangeGd - Gg
RangeGh - Gk
AuthorGiattino, Anthony
AuthorGibbon, Russell W.
AuthorGibbons, John
AuthorGibbons, Russell V.
AuthorGibbons, Russell W
AuthorGibbons, Russell W.
AuthorGibbs, Becket
AuthorGIBLIN, G. A.
AuthorGibney, Frank
AuthorGibney, Mark
AuthorGibson, Arthur
AuthorGibson, Colleen
AuthorGibson, David
AuthorGIBSON, ELIZABETH
AuthorGIBSON, JANE
AuthorGibson, Lilian
AuthorGibson, Louisa
AuthorGibson, Richard
AuthorGibson, Rid
AuthorGibson, Wilfred
AuthorGibson, Wilfrid
AuthorGidaly, William
AuthorGiermanski, James R.
AuthorGifford, Nell
AuthorGifford-Martin, Nell
AuthorGihnan, Richard
AuthorGilbert, William B.
AuthorGilchrist, Marie
AuthorGiles, Patrick
AuthorGiles, Paul
AuthorGiles, Richard
AuthorGilhooley, James
AuthorGilkey, Langdon
AuthorGILL, BARRY
AuthorGill, Eric
AuthorGill, James J.
AuthorGill, Lorna
AuthorGill, Mary
AuthorGill, Roderick
AuthorGILLAN, GARTH JACKSON
AuthorGillard, John T.
AuthorGillard, T.C, John T.
AuthorGilliam, Robert
AuthorGilligan, Francis J.
AuthorGilligan, William
AuthorGillis, James M.
AuthorGillis, Lawrence J.
AuthorGillispie, Charles
AuthorGilman, by Richard
AuthorGilman, Page
AuthorGilman, Richard
Paid articleThe Mystery of the Charity of Joan of Arc (February 1987)
THE MAID OF ORLEANS THE MYSTERY OF THE CHARITY OF JOAN OF ARC Charles Peguy Adapted by Jean-Paul Lucet, Translated by Jeffrey Wainwright Carcanet, $9.50, 92 pp. Richard Oilman Charles Peguy...
Paid articleEpitath for Lincoln Center (April 1964)
THE STAGE Epitaph for Lincoln Center "ALTHOUGH they naturally will as one man deny it," George Jean Nathan once wrote, "the majority of drama critics, unlike the majority of literary critics,...
Paid articleAPA at the Phoenix (March 1964)
whole thing is told, not as a sensational thriller but as a what-makes-Crippen-tick. Pr~rLrV T. HARTUNG THE STAGE APA at the Phoenix THE CHIEF reason for the difficulties repertory theater...
Paid articleThe Stage (March 1964)
THE STAGE "The Deputy" Arrives THE ARRIVAL on Broadway of "The Deputy" has turned out to be an anti-climax, an intellectual one at least, since everything had been expended long before, all...
Paid articleThe Stage (March 1964)
THE STAGE King Lahr AMONG the few solid pleasures which our theater continues to afford is that of being in the presence from time to time of a performer like Zero Mostel or Bert Lahr. Lahr may...
Paid articleThe Stage (February 1964)
THE STAGE West of Broadway FOR A LONG time there has been general agreement among unaffiliated and disinterested observers that the commercial theater has no capacity for self-regeneration. If the...
Paid articleThe Stage (February 1964)
The Green-Eyed to the Shallow-Footed The pines impress: "We have been green all winter And sentient along this landscaped plot. You giddy, dangling willows with your splintered Sunlight on beaded...
Paid articleThe Stage (February 1964)
THE STAGE Ready-Made Failure ONE CERTAIN sign of our theater's pervasive lack of vitality is the way it is padded with objects that have been made from other objects, with dramas fashioned from...
Paid articleThe Stage (January 1964)
THE STAGE Clay into Pottery SEVERAL WEEKS ago I wrote a philippic against Peter Coe, an exemplary product of our flourishing directors' theater, whose coarse, unimaginative and unfaithful staging...
Paid articleThe Stage (January 1964)
THE STAGE Patience Rewarded ONLY A HANDFUL of playwrights now at work give us an unfailing sense of the drama as potentially revolutionary, capable of discovering new forms for the imagination and...
Paid articleThe Stage (January 1964)
THE STAGE Report from the Academy "ONE FLEW Over the Cuckoo's Nest" is an adaptation by Dale Wasserman of a novel by Ken Keasy, and Mr. Keasy, unless he wants more desperately than we know simply...
Paid articleThe Stage (January 1964)
THE STAGE Ginger Without Bite THERE ARE any number of ways to fail in the theater, but the central one is not to have life. Most of the time there is no problem of recognition; we know what a...
Paid articleThe Stage (December 1963)
THE STAGE Vacuum-Packed Theater THESE DAYS we are said to be the possessors of a "directors' theater," which is an accurate enough description once we have substituted "victims" for possessors. In...
Paid articleThe Stage (December 1963)
THE STAGE John Whiting's "The Devils" THE ARENA Theater in Washington has for a long time been one of the scattered oases in the American theatrical Sahara. Never as far out or as aggressive as New...
Paid articleThe Fact of Mortality (December 1963)
The Fact of Mortality BY THE TIME this appears, the terrible events will have been over for nearly two weeks, but as I write now, the day after the funeral, it is still impossible to think about...
Paid articleThe Stage (December 1963)
THE STAGE Weep No More for Brecht IF THERE were any lingering fantasies along Broadway that Brecht could be made to pay, the catastrophe of "Arturo Ui," taken off the boards before a week had...
Paid articleThe Stage (November 1963)
THE STAGE Minor Comforts LIKE ANY organism, off-Broadway is at its best when it understands and accepts its own nature and destiny. Its true fate is both modest and extreme: to be a home for...
Paid articleThe Stage (November 1963)
THE STAGE Albee's Sad "Ballad" "THE BALLAD of the Sad Cafe" is a failure for which it is strangely difficult to assign responsibility, since its deficiencies are spread uniformly throughout its...
Paid articleThe Stage (November 1963)
THE STAGE A Hit and a Success NEIL Simon's new comedy, "Barefoot in the Park," is the kind of popular stage piece Broadway is always feverishly searching for, without any clear notion of what its...
Paid articleThe Stage (November 1963)
THE STAGE Versions of Dishonesty ART, Picasso has remarked, is the lie that leads to truth. All theater "lies," the way all art does, pretending to be real in order to trap a hitherto unheard-of...
Paid articleThe Stage (October 1963)
THE STAGE The Director as Artist IN THE published version of Arnold Wesker's "Chips with Everything" there is this dedication: "To John Dexter, who has helped me understand the theater of my plays...
Paid articleThe Stage (October 1963)
THE STAGE John Osborne's Luther NOTHING is more dangerous for a moderately gifted playwright, or a moderately gifted painter or novelist for that matter, than to wish to be more profound than he...
Paid articleThe Stage (October 1963)
THE STAGE Earliest Ionesco EUGENE IONESCO has for some time now possessed the status of a contemporary master. One of the founders of a new dramatic sensibility and one of the architects of a...
Paid articleThe Stage (October 1963)
THE STAGE Where Are The Natives? THERE IS of course virtue in preferring one's own and loving the nearest best, but the traditional claims for the American theater have been characterized more by...
Paid articleThe Stage (June 1963)
THE STAGE What Keeps Us Going THIS IS the time of year for recapitulation, but since in the present age of the theater one season's summary is entirely interchangeable with another's, there is...
Paid articleThe Stage (June 1963)
THE STAGE Good-by Turgenev THERE IS just so much seriousness and imaginative risk-taking and reverence for high tradition allowed in the American theater, in the same way that there is just so...
Paid articleThe Stage (June 1963)
touched me!" one guard cries out to a prisoner who has brushed against him, and the tone is one of awe that such a crime could have been committed. A moment of silent contemplation of the offender...
Paid articleThe Stage (May 1963)
Blessed Virgin Mary By TIIOMAS COLEMAN Lively way of woman love, attraction, quiet wheel ccnter of movement, silent mother among her children, proud while they play. Not by action's aggression...
Paid articleThe Stage (May 1963)
THE STAGE Mea Culpa THE THEATER being in the condition it is, there doesn't seem to be any excuse for a drama critic to miss one of the few occasions on which it is possible to do a bit of...
Paid articleThe Stage (May 1963)
THE STAGE Nowhere to Go But Down THE MUSICAL comedy, Broadway's central jeu d'esprit, has been in slow decline for a number of years, but this season we have witnessed a really...
Paid articleThe Stage (May 1963)
THE SCREEN How To Travel Without Moving EVEN WHEN foreign films are not at their best, they succeed in giving diversity to our screen fare and often manage to take their viewers on enlightening...
Paid articleThe Stage (April 1963)
worthy. Producer-director Mark Robson no doubt started out making what he hoped would be an absorbing account of these nine hours. But the film itself is much too long, too slow-paced and too...
Paid articleThe Stage (April 1963)
THE STAGE Pirandello to Per/ection IN HIS PREFACE to "Six Characters in Search of an Author" Pirandello tells us that he has the "misfortune" to be a philosophic writer. The complaint is for...
Paid articleThe Stage (April 1963)
authorities and their clergy who have suffered more than any other Catholic clergy within the Communist world. If this minority were to be officially recognized, it would be a first token of real...
Paid articleThe Stage (April 1963)
AN EXCHANGE OF VIEWS "Cuba and the Administration" Princeton, N.J. TO THE EDITORS: I am generally an admirer of Mr. William Shannon's writing in your magazine, but I should like to offer some...
Paid articleThe Stage (March 1963)
Catholics; they resist the old with indifference or hos- tility. Father Bartell's letter, I think, points out the way to a new identity. Catholics have one of the strongest in- tellectual...
Paid articleThe Stage (March 1963)
The leaders of the trade unions are too fearful of losing their followers to leave the terrain of social demands in order to descend into the political arena. Of course one must never wholly...
Paid articleThe Stage (March 1963)
spiritual reality, metaphysical reality, anything man has inside him." Simpatico, the one characteristic an Italian must find before he can approve of another, would be almost an understatement...
Paid articleThe Stage (March 1963)
THE STAGE See America Next IN ANY discussion of the state of American theater the question of decentraliTation is bound to arise. Like belief in the open stage, the idea of...
Paid articleThe Stage (March 1963)
within a given denomination than across denominational boundaries. The "ecumenical consensus" is best represented by the positions and concerns of the World Council of Churches, and a Catholic...
Paid articleThe Stage (February 1963)
working with him in all these attempts at fun and slap- viewers may not be able to tell whether the results are stick. I found their efforts somewhat exaggerated...
Paid articleThe Stage (February 1963)
new, yet older Paris being unearthed. The PalaisBourbon is resplendent, as is the Hotel Cril]on and the Chamber of Deputies, only recently emerged from behind its pipe-stem nettoyage...
Paid articleThe Stage (February 1963)
more, setting the strictest dimensions for what is going THE STAGE to...
Paid articleThe Stage (January 1963)
THE STAGE Marceau: the Limits of Illusion WHETHER or not Marcel Marceau has brought mime as far as it will go in the modem world, I am in no position to say. But after seeing him perform for the...
Paid articleThe Stage (January 1963)
THE STAGE Bert Lahr: the Cavalry Arrives IF WE needed more evidence that there is almost nothing personal and serious that Broadway permits itself to do these days except comedy, "The...
Paid articleThe Stage (January 1963)
THE SCREEN The Bitter with the Better It's that time of year again, when a reviewer selects his Best Ten. The number is arbitrary-but so is the list; this is one time a reviewer can be as...
Paid articleThe Stage (January 1963)
psychiatrist (Howard Da Silva) who runs the place. But eventually he becomes interested in another patient, THE STAGE Lisa (beautifully played by Janet Margolin), and is successful...
Paid articleThe Stage (December 1962)
are not even apparent. In fact we seem to be more in agreement with each other than either is with most THE STAGE people who have commented in print on Baldwin's latest...
Paid articleThe Stage (December 1962)
centrates on four women in a California suburb: Jane behavior and Mr. Mitchum's lethargy are well estab- Fonda, again, as a widow who's afraid she's frigid, lished early in the...
Paid articleThe Stage (December 1962)
telling of the story and establishing the mood, his combines drama, dance and cinema. At times its story picture becomes a sparkling gem. in the present-which...
Paid articleThe Stage (November 1962)
as a writer of domestic comedy, this particular play's THE STAGE tragic denouement being...
Paid articleThe Stage (November 1962)
the only important male role in the picture, but even rhetorical and dramatic consequences, and ultimately this role becomes repetitious and finally almost point- resolved. less. Davis...
Paid articleThe Stage (November 1962)
Broadway counterpart-that is to say, it has an ironic THE STAGE instead of a...
Paid articleThe Stage (November 1962)
the ferocity of Albee's domestic scene, the feral quality THE STAGE of his naturalism,...
Paid articleThe Stage (October 1962)
cedures, limited as they are; there is simply nothing THE STAGE dramatic in his...
Paid articleThe Stage (October 1962)
more comprehensible their nationalist drive and im- patience for political power. African hatred is for a THE STAGE status quo which implacably discriminates against the...
Paid articleThe Stage (October 1962)
priests serving West Berlin must be supplied from West the Church. But its propaganda efforts have a strange German seminaries, while priests serving in the Soviet twist. Outwardly the...
Paid articleThe Stage (October 1962)
ardson, the leading film exponent of the Angry School, lonely, clever, running Colin is the stealing, lying au- uses some first-rate cinema to tell a thoughtfully-dis- thority-hating Colin...
Paid articleThe Stage (September 1962)
THE STAGE Prospects and an Epitaph NO LESS than other men, the drama critic lives on hope. From week to week and season to season he feeds off the possibilities of things not yet seen and...
Paid articleFaulkner's Yes and No (August 1962)
1897-1962 Faulkner's Yes and No RICHARD GILMAN I NEVER met Faulkner. I would have been afraid to. At the time when writers began to matter to me and were mysterious and charismatic figures whose...
Paid articleThe Stage (June 1962)
views of Ngorongoro Crater, the Serengeti plains, the area around Lake Manyara, and other fascinating places, Russell Harlan's color photography is first-rate. And the shots of these game hunters...
Paid articleThe Stage (June 1962)
THE STAGE All Frame, No Portrait WHY IT SHOULD have taken three collaborators to make a dismal adaptation of James Joyce's Portrait of the Artist as a Young Man is hard to understand; any...
Paid articleThe Stage (June 1962)
THE STAGE The Wrong War ONE OF the daily reviewers, a man who suffers bitterly from our refusal to create for him a new Golden Age of the Theater, or even a Silver one, recently rose to his full...
Paid articleThe Stage (June 1962)
THE STAGE Die? I Thought I'd Laugh! ALTHOUGH IT'S much too soon to be feeling any degree of confidence, there are signs that the Broadway musical comedy may be preparing to bring about its own...
Paid articleThe Stage (June 1962)
two in the lead roles. Miss Bancroft has a vigor and power in her determination to teach Helen that are inspiring; one struggles with her and believes her when she says that giving up is her idea of...
Paid articleThe Stage (May 1962)
One might, in fact, assert that Horace Walpole's excursions into antiquity were distant forerunners of Strachey's Elizabeth and Essex, that "The Castle of Otranto" was an early ancestor of Virginia...
Paid articleThe Stage (April 1962)
The Director of Admissions Trinity College, Washington 17, D.C. Seton Hill College Four-year liberal arts college for women. Regional and national accreditation. Pre-professional training for...
Paid articleThe Stage (April 1962)
have little opportunity to display their talents. Further-more, this service comedy, about an accident-prone lieutenant ( Hutton) and the nurse he's in love with (Prentiss) while on a military...
Paid articleThe Stage (April 1962)
Charles reflects on the world he had loved with Sebastian, celebrating the while (d'apres Ronsard) with strawberries and wine, with poetry, wit and friendship —all those heady joys of pagan...
Paid articleThe Stage (April 1962)
story is based.), the girl goes to Italy, "where they really know what love is about." She gets her first lesson in love from Rossano Brazes, but when his kisses don't ring bells, she looks...
Paid articleThe Stage (March 1942)
THE STAGE A Dirty, Well-lighted Place WHAT IS continually surprising about Broadway is its dogged refusal to concede that the human capacity for vulgarity has limits, that we have reached them and...
Paid articleThe Stage (March 1962)
to be scrubbed down, patched up and dusted off; it is to be, in accordance with the ancient plan of its founder, but for the needs of this new age, renewed. Such is Catholic reform." ONCE HAVING...
Paid articleThe Stage (March 1962)
Red Chinese insults and disparaging remarks from Premier Khrushchev, has only brought the Egyptian pendulum back to stationary center-if that far. Nasser must realize that there are now deep...
Paid articleThe Stage (March 1962)
THE STAGE Sows' Ears out of Silk Purses IT MIGHT seem at first that the entrepreneurs of "A Passage to India" and 'q?he Aspern Papers" have undertaken an act of cultural heroism, the drawing...
Paid articleThe Stage (February 1962)
is a romantic idealist, of the authoritarian klnd-one of her girls later remarks, "She's a born Fascist'-and the Brodie set under her powerful influence becomes a collective extension of her ego,...
Paid articleThe Stage (February 1962)
comic aspects as well as the tragic. For it is fatal to allow even a trace of the drawing-room to creep in. But beyond that, is it too radical to suggest that dramas like these might be...
Paid articleThe Stage (February 1962)
but misery and despair, if not drastically curbed, can in the very near future force them to become both rebellious and Communist. The governments of Central America give the impression of...
Paid articleThe Stage (February 1962)
THE STAGE A Master's Voice IT IS surely some sort of commentary on the condition of our theater that the most absorbing evening it is possible to spend in it these days is at "Brecht...
Paid articleThe Stage (January 1962)
THE STAGE Williams As Phoenix BY NOW it should be clear that Tennessee Williams' real subject is the painfulness (not the tragedy) of existence, and the fate of human dignity (not of the soul)...
Paid articleThe Stage (January 1962)
following sentence, which continues to puzzle me: "There was a time when every man was free in every sense of the word." And last month, at a public meeting in New York, Ed Nash, the unsuccessful...
Paid articleThe Stage (January 1962)
THE STAGE Blanket Coverage ONE ISN~r obliged to review everything, especially since there are some plays about which there seems nothing useful to say. But there are others which simply slip...
Paid articleThe Stage (December 1961)
teresting anomaly in the first and greatest of the revolutionary democracies and the largest and most Christian nation in Christendom (Meridian, Mississippi, has the largest percentage of...
Paid articleThe Stage (December 1961)
one liberal Spanish writer has pointed out in an article in The Commonweal (June 19, 1959), the power of Opus Dei has increased, liberal elements within the government have been purged and...
Paid articleThe Stage (December 1961)
tracted to Danielle and David Saire as the house boy who brutally attacks the girl. The end to all this is quite touching. But most amazing of all, thanks to the screenplay Howard Koch wrote...
Paid articleThe Stage (December 1961)
was to be counterrevolutionary. I think Mr. Glick should have given the full quotation: "One of the refrains that the bishops like to repeat is that government officials have said that to be...
Paid articleThe Stage (November 1961)
them, the Franciscans were able to maintain a continuous presence in Morocco. Members of this community were often indispensable if discreet diplomatic emissaries for the Sultans in their...
Paid articleThe Stage (November 1961)
I have made have been only 6tudes. ~ I suppose one shouldn't argue with the master, but it is hard to think of such outstanding movies as "The Seventh Seal," "The Magician" and especially "Wild...
Paid articleThe Stage (November 1961)
that hardly seemed possible to revitalize: "Swiss Family Robinson," "Toby Tyler," and especially au excellent version of "PoUyanna." Now Disney has added one more to this series: "Greyfriars'...
Paid articleThe Stage (November 1961)
in the Sermon on the Mount. It is unfortunate that his voice (in this handsomely photographed Mount scene which extends too long and includes not only the beatitudes but also many of the...
Paid articleThe Stage (October 1961)
God's gift to teenagers, is remarkably adept at the comedy stuff and isn't even averse to kidding while putting over a song. The young man shows signs of growing up--in spite of the parents he...
Paid articleThe Stage (October 1961)
THE STAGE WIN, PLACE AND SHOW D AVID ROSS'S revival of "Ghosts" Isn't some. thing to make an lbsenite bring votive offerings to Fourth Street. If it comes through, It's by a narrow margin,...
Paid articleThe Stage (October 1961)
would be capable of crucifying Christ because He did what we are doing." He has also proclaimed: "To betray the poor is to betray Christ! To serve wealth is to betray Christ! To serve imperialism...
Paid articleThe Stage (October 1961)
A Critical Role Criticism comes as second nature to a journal of opinion such as The Commonweal. Without voicing it continually this magazine would hardly get very far in interpreting the...
Paid articleBooks (September 1961)
BOOKS Dispassionate View of a Most Passionate War THE SPANISH CIVIL WAR. By Hugh Thomas. Harper. $8.50. By RICHARD GILMAN DURING the battle for Madrid in 1936 Louis Delapree, the correspondent...
Paid articleThe Search for Ibsen (August 1961)
PERSISTENT MISUNDERSTANDING The Search for Ibsen by RICHARD GILMAN AFTER ATTENDING a performance of Ibsen's "Wild Duck" Rainer Maria Rilke wrote in a letter that he had come to know "a new poet...
Paid articleBooks (May 1961)
BOOKS A Brilliant and Thorough Contemplation of Dramatic Art THE DEATH OF TRAGEDY. By George Steiner. Knopf. $5.00. By RICHARD GILMAN NEAR THE END of this long essay on the decline of tragic...
Paid articleTwo Voices of Camus (February 1961)
CALL TO COURAGE Two Voices of Camus by RICHARD GILMAN W RILE he was alive Camus was the subject of an astonishingly various and widespread critical attention, considering his age and his...
Paid articleA Man in Havana (February 1960)
sure that He will show us the next steps. Humanly speaking, the gulf between us seems an impenetrable one, since the terms of reunion which Catholics and Protestants now set are mutually exclusive....
Paid articleThe Critical Life (March 1959)
668 The various functions of the avant-garde journal The Critical Life by RICHARD GILAAAN THEY WERE entitled Blast, Broom, Secession, Partisan Review. There was even a magazine called Death....
Paid articleThe Journey of Thomas Mann (October 1958)
The Journey of Thomas Mann by RICHARD GILMAN IT WAS FITTING that Thomas Mann should have lived to such an accredited age, the age of tribal heads and wizards, but not that death should...
AuthorGilroy, Jack
AuthorGilsdorf, Ethan
AuthorGilsdorf, Gordon
AuthorGilson, Etienne
AuthorGiltinan, Caroline
AuthorGinder, Richard
AuthorGinger, John
AuthorGinsberg, Louis
AuthorGinsberg, Mitchell I.
AuthorGiordan, Alma Roberts
AuthorGiordani, Igino
AuthorGips, James
AuthorGIPSTEIN, RICHARD
AuthorGiraldi, William
AuthorGirgis, Sherif
AuthorGironella, Jose Maria
AuthorGisolfi, Anthony M.
AuthorGitlin, Robert Leiter, Todd
AuthorGitlin, Todd
AuthorGiuliani, Rudolph W.
AuthorGiurlamla, Paul
AuthorGivens, Elspeth
RangeGl - Go
RangeGp - Gs
RangeGt - Gz
LetterH
LetterI
LetterJ
LetterK
LetterL
LetterM
LetterN
LetterO
LetterP
LetterQ
LetterR
LetterS
LetterT
LetterU
LetterV
LetterW
LetterX
LetterY
LetterZ
Kanda Software, Inc.