Roughing It

CROKE, BILL

Roughing It A Montana ranching life. BY BILL CROKE One of the most interesting literary genres of the contemporary American West is the ranch memoir. Unlike the pretty volumes that issue from the...

...He demanded that she quit smoking, not to promote good health, but because cigarettes were a frivolous expense...
...Laundry was washed the same way, put through a handwringer before being hung out on the frigid, wind-blasted clothesline...
...Blunt is the same kind of writer...
...Unlike radicalized academic feminists, Blunt grew up actually doing physical work—everything from canning to calving—and "like my mother, like the ranch women who peopled my childhood, I would not spout ideology or argue theory...
...In Blunt's case, it was a case of half wanting it for herself and half wanting it as an escape from her former life...
...Even for Montanans, the Hi Line seems an almost mythical place, a world of savage blizzards and withering droughts in a geography too vast to comprehend...
...In 1986 the thirty-one-year-old Blunt, after thirteen years of marriage, packed her three children, a few household belongings, and boxes of dog-eared paperbacks into an old car and headed for the big city, bright lights of Mis-soula...
...At eighteen, just after her high-school graduation, she married a man twelve years her senior, a Vietnam veteran and hardworking son of a neighboring ranch family...
...The last straw came when Frank took a sledgehammer to Blunt's typewriter when she was late preparing lunch for the hired summer-haying crew...
...Unlike the pretty volumes that issue from the novelists who move to Montana for the fly fishing, or the delicate work of the poets who come seeking the metaphysical balm of the wilderness, ranch books tend to be realistic accounts written by actual westerners Bill Croke is a writer in Cody, Wyoming...
...It is sparsely inhabited by descendents of northern European homesteaders who stoically accept the boom-bust of agricultural economics as the given condition of life...
...Blunt's parents assumed that children were not boys and girls but "men and women in training...
...Frank—a crusty old rancher who had turned over the sprawling 36,000 acre cow-calf operation to John while still working on the place—would lecture his daughter-in-law on how to keep house, rear children, and do the grocery shopping...
...Judy Blunt didn't have that problem...
...She moved on to Malta for high school, boarding at the house of an elderly widow during the week and returning to the ranch on weekends and holidays...
...Men have excelled at these memoirs—William Kittredge, Ivan Doig, and Ralph Beer come to mind—but the genre is increasingly dominated by women: Mary Clearman Blew, Linda Hasselstrom, Page Lambert, and, now, Judy Blunt, with her autobiography, Breaking Clean...
...Her first semester, she noted that her fellow students in freshman composition class—tender, inexperienced eighteen-year-olds—were often at a loss to come up with subjects for their personal essays...
...Her first school "squatted on the prairie within driving distance of three rural communities," a "mouse-infested bungalow" that served a handful of students, all eight grades taught by one teacher in one room...
...Malta is on Montana's "Hi Line," where the two lanes of Route 2 and the tracks of the Northern Pacific Railroad run side by side across five hundred miles of prairie a few miles south of the Canadian border...
...Blunt divorced her in-laws as much as she divorced her husband...
...Others were named reflecting local weather conditions (Chinook), topographic features (Cut Bank), or as a bow to earlier inhabitants (Blackfoot...
...Even in winter the work didn't stop, the snowswept landscape "a network of white veins against the wind-stripped hills...
...Blunt was born in 1954 in the town of Malta, Montana (pop...
...Judy's nearest neighbors were her new in-laws, Frank and Rose...
...Judy Blunt grew up on a ranch fifty miles down a dirt road south of Malta...
...The large western ranches were quasi-feudal fiefdoms, and to make a good marriage contributed to the general prosperity...
...The Hi Line was one of the last parts of America to receive rural electrification, and until she was seven years old, the author's family got their water from a hand pump—heating it on the kitchen stove for the weekly bath...
...As they say in Montana, John was "a good hand"—and Blunt insists he was also "a good man...
...Her mother and father worked long, hard days, and from the time she could walk, she was taught not only to work but to know the morality of work: It was "a small person," she was told, "who bellied up to the table while his livestock stood hungry...
...Rose was an unbearably constant presence in Blunt's house, rearranging the closets and the pantry, and dispensing gratuitous advice about everything in John and Judy's home...
...whose roots go back generations...
...After a life on the Hi Line, she would always have things to write about...
...The following years would be filled with struggle as she juggled family and work, and pursued a college education...
...Raymond Carver once said the primary influence on his life as a writer was his children: Being forced to accommodate a family, with the constraints of time and income that imposed, made him realize what the important things to write about were...
...He was silent and strong, suited to the hard life required to make his living, and he was a stoic not capable of gushing about anything...
...Some of the towns scattershot along the Hi Line (Glasgow, Malta, Zurich, Havre, Harlem, Devon, Inverness, Dunkirk) started as railroad stops, arbitrarily named by a nineteenth-century Northern Pacific executive who closed his eyes and pointed a number of times to a map of Europe...
...2,340), and it wasn't long before she "could rope and ride and jockey a John Deere as well as my brothers...
...That wind was an endless "urgent moaning under the eaves that rose in sustained shrieks, like a cat fight...
...That Blunt is a feminist, of one stripe or another, is apparent throughout Breaking Clean, but it doesn't affect too much her vividly rendered story...

Vol. 7 • February 2002 • No. 23


 
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